Hampton Branch Library
In Rainbows
Official estimates peg the Woodlands’ Cynthia Woods Mitchell Pavilion in Houston at a capacity of 16,500, and at the Radiohead show Saturday night, they were all there with friends. The steeply pitched grass outfield was a sea of fans, many of whom had traveled long distances to see Britain’s best at the sold-out show, and after a short opening set by Liars, we were treated to the best concert money can buy.
It was a monumental experience exasperated by the energy-efficient tubular LED light show put on from the stage. If ever there were doubt that Radiohead could pull off their studio masterpieces live, it was shattered. Thom Yorke trotted in place like a wind-up drummer boy, elbows flailing, knees held high. BBC composer-in-residence and guitarist Johnny Greenwood spent as much time with his back to the audience, hunched over mammoth machinery, as he did grinning. And Ed O’Brien stood lanky over Yorke in jacket and tie. Big brother Colin Greenwood (bass) and Phil Selway (drums) might not have played front and center, but they were the ones that put the magic in the night.
It was a monumental experience exasperated by the energy-efficient tubular LED light show put on from the stage. If ever there were doubt that Radiohead could pull off their studio masterpieces live, it was shattered. Thom Yorke trotted in place like a wind-up drummer boy, elbows flailing, knees held high. BBC composer-in-residence and guitarist Johnny Greenwood spent as much time with his back to the audience, hunched over mammoth machinery, as he did grinning. And Ed O’Brien stood lanky over Yorke in jacket and tie. Big brother Colin Greenwood (bass) and Phil Selway (drums) might not have played front and center, but they were the ones that put the magic in the night.