Qmmunity: See You at the (Queer) Movies
Local filmmaker and UT professor PJ Raval hosts his students’ queer short film showcase at Hyperreal Film Club
By James Scott, Fri., May 2, 2025
Queer cinema goes far beyond frequent program selections like But I’m a Cheerleader and To Wong Foo. Who knows this better than local filmmaker and UT professor PJ Raval, who this Friday hosts a showcase of his LGBTQ film students' work at micro-cinema Hyperreal Film Club.
Should Raval’s name strike the reader as familiar, it may be from his documentary work, which includes Who We Become, a Netflix-streaming and Ava DuVernay distro’d coming-of-age doc about three Filipino Texan women during the early COVID days, and investigative doc Call Her Ganda, which traverses the late Jennifer Laude’s story. As a longtime Austinite, Raval says his interest in the city came from its “DIY queer punk scene, which included filmmaking.” Raval argues ATX’s indie screen scene was born from a queer-saturated place, aka aGLIFF founder Scott Dinger’s former film sanctuary the Dobie Theater – the premiere venue of Richard Linklater’s Slacker. “Watching Teresa Taylor (aka Teresa Nervosa of the Butthole Surfers) on screen as the iconic Madonna pap smear pusher remains one of the queerest moments in Austin film for me,” Raval writes over email, “even though Slacker itself has never been considered a queer film per se.”
Raval isn’t ignorant of recent policy changes to UT-Austin as a result of state legislation, such as the 88th Lege’s Senate Bill 17, which banned basically all administrative instances of diversity, inclusion, and equity on public university campuses. Yet at the same time conservative lawmakers tried to stamp out DEI, Raval created his Queer Media Production course as pointed praxis for his belief in the queer community’s survival. “Queer identity is rooted in political resistance and living out one’s values,” he expresses. “For me, this also extends into being a filmmaker and film educator.”
In an effort to continue the DIY queer spirit which first attracted him to Austin, Raval's QMP course asks students to "make work thinking about queer pasts, the risk-taking present, and possible liberatory futures." Much like himself, Raval says, his students' work has "gravitated toward the DIY and punk roots of queer filmmaking, from Sadie Benning to Vaginal Creme Davis, with some sprinkles of John Waters, Gregg Araki, and Bruce LaBruce." Their preference for less high-budget productions keeps up pace with Austin's current queer filmmaking scene. In particular, Raval calls out Yen Tan, Hannah Varnell, and the This Is Not a Cult team behind Erica’s First Holy Shit! – as well as their predecessors, such as Raval's former collaborator CHRISTEENE (aka Paul Soileau). "I take pride knowing the work of my Queer Media Production students is a continuation of this rebellious lineage," says the filmmaker.
Friday’s showcase solidifies Raval’s course in that legacy. With the 18 short films spanning genres from sci-fi to documentaries, music videos to digital animation, Raval was most surprised by his class’ desire to subvert expectations. “You may think you know, but do you really know?” Raval explains. “Their work is largely experiential for a viewer and an artistic expression of their personal experience.” This thought process of film-as-experience maps onto the professor’s own feelings about his chosen media, which Raval believes is “one of the most powerful forms of storytelling.”
“For a captivated moment,” Raval says, “filmmakers have the opportunity to transport audiences, give glimpses into the life of someone else, and an opportunity to experience the world in its many triumphs and failures. These powerful moments create bonds of empathy for one another.”
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