A Very Jewish Horror in Attachment
Filmmaker Gabriel Bier Gislason discusses cultural authenticity
Richard Whittaker
391-420 of 7,825 entries
Screens, April 5, 2023
Check Out Czech That Film Texas
The celebration of Czech cinema returns with comedy and horror
Screens, April 4, 2023
ATX TV Festival Rides Again With Justified: City Primeval
Outlander, Dawson's Creek added to season 12
Screens, April 3, 2023
How the Universe Sent Paul Newman to Ethan Hawke
The director discusses his HBO Max series and recent AFS screenings
Screens, March 30, 2023
Malum
A rookie cop gets harassed by demons in a remake of Last Shift
Movie Review, March 31, 2023
Dungeons & Dragons: Honor Among Thieves
The high fantasy game rolls a critical hit with a boisterous adaptation
Movie Review, March 31, 2023
Enys Men
The form of British folk horror conjured to mask a psychological drama
Movie Review, March 31, 2023
The Five Devils
Scents unlock memories and secrets in this French drama
Movie Review, March 31, 2023
Lights, Camera, Stupidity in Austin-Made Satire
Bryan Connolly's Make Popular Movies spoofs how films are (and aren't) made
Screens, March 30, 2023
The Ants and the Grasshopper
Documentary wonders how to change minds about climate change
Movie Review, March 31, 2023
End of an Era: Funko Lays Off Mondo's Leadership
UPDATED: Toys and records unaffected as prints team gutted
Screens, March 24, 2023
Film Review: Monolith
Australian audio-horror builds tone through sound
SXSW, March 24, 2023
In Search of The Lost King
How Philippa Langley dug up the truth about Richard III
Screens, March 24, 2023
Eva Longoria's Flamin' Hot Heads up SXSW Audience Award Winners
Snacks and sports win big this year with the crowds
SXSW, March 23, 2023
The Lost King
The charming, unlikely, and mostly true tale of the hunt for Richard III
Movie Review, March 24, 2023
John Wick: Chapter 4
Can the killer franchise give its dog-loving hero the ending he deserves?
Movie Review, March 24, 2023
Film Review: Deadland
Border drama adds supernatural tension to the politics
Screens, March 20, 2023
Film Review: You Can Call Me Bill
A meditation on death from the liveliest man you'll see
SXSW, March 19, 2023
Film Review: Air
The good guys win in this charming origin story for the Air Jordan
Screens, March 19, 2023
TV Review: Lucky Hank
Bob Odenkirk lends his weight to light academic comedy
Screens, March 18, 2023
Film Review: Raging Grace
Filipino British Gothic drama overshadows its own polemic
Screens, March 17, 2023
Film Review: Evil Dead Rise
The possessed cabin franchise takes a gruesome trip to the city
Screens, March 17, 2023
Film Review: Little Richard: I Am Everything
The architect of rock & roll gets a detailed but thin biography
SXSW, March 16, 2023
Funko x Austin: The Business of Fandom
In its SXSW brand debut, "geeky Gucci" Loungefly shows the future for hometown print mavens and newly acquired portfolio pals Mondo
Features, March 16, 2023
Breaking Ground: What Three New Studios Mean for the Texas Film Industry
As construction begins, lawmakers seem eager to reform the state's incentives to fill those soundstages
Screens, March 16, 2023
SXSW Review: STILL: A Michael J. Fox Movie
The actor and Parkinson's advocate lays his life bare
Screens, March 15, 2023
Film Review: The Artifice Girl
The ethics of creating artificial life in three captivating chapters
Screens, March 14, 2023
SXSW Announces 2023 Film Grand Jury Award Winners
Raging Grace tops best narrative category
Screens, March 14, 2023
Recap: Hypnotic Work-in-Progress
The Austin filmmaker blows the roof off the Paramount
Screens, March 14, 2023
Film Review: Being Mary Tyler Moore
New documentary reminds us there was more than just The Flip
