February 13 • 2009

Feb 13-19, 2009 / Vol. 28 / No. 24

Cover Story

Judges

Rebecca Beegle’s stories have appeared in Hobart, 5_Trope, Elimae, The Austin Chronicle, and the forthcoming A Best of Fence: The First Nine Years (Fence Books). Her plays include Have You Ever Been Assassinated?, Don’t Drown, and American Women and Their Hatchets. Rebecca holds a Master of Fine Arts in writing from the School of the…

deEP end

The winter chill emitted from the Eastern Sea’s eponymous debut makes for a perfect seasonal soundtrack. The five-song collection plays out like a series of frozen snapshots from Garden State, painted with Matthew Hines’ poignant imagery, and a bell/whistle ornamentation that suggests Sufjan Stevens. Perhaps the only misstep is the jarring guitars on “The Floor,”…

Headlines

• At a special City Council meeting Wednesday, the city proposed $20 million in departmental and staff spending cuts in response to a revenue shortfall of the same amount. See “Naked City.” • The council faces a contentious meeting today, Thursday, Feb. 12, with presentations and zoning requests on controversial items: the Lady Bird Lake…

Push

This sci-fi actioner about warring clairvoyants is generically incomprehensible with cyberpunk overtones.

Texas Platters

Rick Reed Dreamz/Blue Polz Experimental vet Rick Reed’s latest vinyl fever dream filters color and drone, as per usual. Reed’s got a soundtrack mind, and both sides convey that, even if they sound pretty much the same.

Res Publica

Thursday12 AFRICAN AMERICAN FAMILY SUPPORT CONFER­ENCE aims to help parents and health professionals utilize health-care tools. But there’s also a youth panel and other events for the whole family. Go online for a complete list of keynotes, workshops, and exhibits. Thu.-Fri., Feb. 12-13. 8am-4:30pm. Omni South­park, 4140 Governor’s Row. Free. www.ctaafsc.org. FREEDOM TO MARRY DAY…

Texas Platters

Diagonals Valley of the Cyclops (Monofonus Press) Stoned, organ-ground local psych pop with a sense of humor. The boys of Diagonals take clowns, wizards, and Neil Diamond to task on their debut platter of geek love, and while the title track is the centerpiece, slowly unfurling waves of reverb, their pop is also well-executed.

Texas Platters

Handbrake Brillo’s Aftermath Tempo-phrenic guitar rock comes slouching out of Denton, with former/current members of the Baptist Generals, White Drugs, and Tank Tank. Finely muscled and brooding, Handbrake recalls Lungfish in places, but the vocals are a tad whiny. Brillo would work better all instrumental.

Off the Record

Marcia Ball turns 60 in style, Bill Baird finds himself in song, and more confirmations for the Austin Music Awards and SXSW 09

Texas Platters

Willie Nelson & Asleep at the Wheel Willie and the Wheel (Bismeaux) These days Willie Nelson will duet with anyone who can roll a joint properly or promises to patronize his Carl’s Corner. The local country icon’s long-awaited Western swing collaboration with Austin’s Asleep at the Wheel is a different tale altogether. Atlantic Records titan…

Texas Platters

Reverse X Rays Situation Island Blasts of sax, squirrelly guitar lines, thick bass, and spastic drumming stuffed into four short tracks make for a fair debut EP of nervous instrumental yin/yang, but a couple more tracks would’ve been nice. “Buffalo Machine” is the ripcord-pulling gem here.

Texas Platters

Nakia Water to Wine The debut full-length from Nakia proves the Appalachian-born belter one of Austin’s most talented singers. Booming, deeply soulful, and accented with the occasional twang, his pipes propel an impressive set of Allmans-inspired Southern gospel-rock. Nakia has a penchant for big ballads with a flair for flourish, the self-penned title track crescendoing…

Texas Platters

Low Red Center (Instincto) Minimal is the mantra for Low Red Center. This beat-assisted self-titled LP screams 1970s New Wave, with repetitive female vocals conjuring Cabaret Voltaire and Xex. That mantra insures tempos rarely change from song to song, but there are some standouts, including “Sun Outside,” where B-52’s meet Björk inside a broken drum…

Texas Platters

Gurf Morlix Last Exit to Happyland (Rootball) Gurf Morlix’s fifth recording fits neatly on the shelf with his others, Last Exit to Happyland akin to journeying into the past and rediscovering all that made you you. Still best known as the sideman’s sideman, Morlix’s repute as a producer remains equally stellar (Lucinda Williams, Ray Wylie…

Texas Platters

Ruthie Foster The Truth According to Ruthie Foster (Blue Corn Music) Hosannas heaped on Ruthie Foster’s magnificent vocals are well-earned, which explains why the local cottage industry seems in no hurry to be pigeonholed as a singer-songwriter. Foster owes a good deal of her country blues goodness to her accompanying musicians – including Robben Ford,…

Texas Platters

Pat Green What I’m For (BNA) It’s still a rude shock to see Pat Green, who started out independent and Texas proud, fully absorbed by Nashville. On What I’m For, the country rocker’s eighth disc, Green landed producer Dann Huff (Rascal Flatts, Keith Urban, Carrie Underwood), no doubt hoping for some platinum magic. Unlike Cannonball,…

TV Eye

Buffy creator Joss Whedon returns to TV with more tough-girl action on Dollhouse

Texas Platters

Sumner Erickson Me, Guitar and a Mic Vol. 1 “All I want to do is sing, sing my song,” croons Sumner Erickson on “Dreams.” The younger brother of Texas psych legend Roky Erickson was a master tuba player with the Pittsburgh Symphony but in recent years has turned his local efforts to rocking with the…

Oops!

In last week’s cover story on Cactus Cafe proprietor Griff Luneburg, “Blood on the Tracks” (Feb. 6), the local music scene veteran who Lyle Lovett said “is the Cactus Cafe” was the victim of numerous misspellings of his surname. Even then, Luneburg sent us a gracious thank you note. The Chronicle seriously regrets the errors.

Texas Platters

Pompeii Nothing Happens for a Reason (Eyeball) Pompeii’s sophomore LP opens with the instrumental “Where We’re Going, We Don’t Need Roads,” which may be true given the quartet’s soaring pop ambitions. Like fellow locals AM Syndicate and Low Line Caller, Pompeii swirls with mellow but anthemic bursts, glistening guitars intricately woven with strings. “False Alarm”…

Texas Platters

Mistress Stephanie & Her Melodic Cat Take That! (Pressing Records) Stephanie Stephens (the Mistress) and Adam Sultan (Her Melodic Cat) have great chemistry live, their sexualized push-and-pull recalling The Rocky Horror Picture Show in the Weimar Republic. On its debut LP, the local pair replicates that pleather-clad schadenfreude with mixed results. Humor and sarcasm make…

Texas Platters

Bob Wills & His Texas Playboys The Tiffany Transcriptions (Collectors’ Choice Music) In 1975, Waylon Jennings sang, “Bob Wills is still the king.” Digging through this 10-CD box set makes plain what provoked that sentiment. The Kosse, Texas-born Wills (1905-1975) didn’t invent Western swing, but he took it to places no one could’ve imagined. The…

Texas Platters

The Sour Notes Received in Bitterness In one year, Jared Boulanger’s Sour Notes formed, released 2008’s inspired The Meat of the Fruit EP, toured, recorded this first LP, and then went back into his home studio for more recording. We should all be so productive. The Austin via Houston quartet’s Received in Bitterness isn’t perfect…

Winners

First Place: “Fayette” Burke Nixon was born in Houston and graduated from UT-Austin. He and his wife currently live in Oxford, Miss. Second Place: “May the Passenger Pigeon Sing Thee to Thy Rest” Perry Tyson Midkiff II has a handsome dog called Wallace. When he is down, he reads Jim Harrison. When not selling tacos…

Texas Platters

The Open Casket Worst Case Scenario (Mortville Records) In these troubled times, any band capable of waxing a cohesive 12-pack of slobber punk broadsides in just six hours warrants further investigation. Enter the Open Casket, a thrift-driven local trio led by onetime Motard Toby Marsh alongside brothers Chris and Mike Dempsey on bass and drums,…


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