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That Vince Torres and his astonishing cohort of creatives have garnered more graphic goodness for those Guzu walls, with 26 artists paying tribute to shows from the small screen, with stylish renditions of characters and settings from television’s past and present. Featuring homages by Chet Phillips, Tessa Morrison, Killian Glenn, Half-Human, Nina Sanchez, and more. Where's your fandom at, baby? It's probably right here, right now.

Three artists, three strong views of this complex life. And now our journo-about-town Brenner has reaped the visions that Erika Huddleston, Amy Scofield, and Tammy West have sown – and here's his report.

This new exhibition, organized by the Vitra Design Museum and the Guggenheim Museum Bilbao, presents the work of more than 120 artists and designers, displaying sculpture, prints, fashion, furniture, film, photography, apps, maps, digital comics, and more to show how African design generates innovative design approaches and solutions with worldwide relevance.

The Julia C. Butridge Gallery is now accepting exhibit proposals for 2020. Located at the Dougherty Arts Center in the heart of the arts district, the JCB Gallery is known for its diverse exhibitions of artists and their work.

This exhibition is enhanced with artifacts providing historical context for the paintings, rich with the unbroken connection the Comanche people have with their roots. Also, Rodeo: The Exhibition. Boy howdy, it's the history of the Texas rodeo – vibrant, interactive, and fully documented in this fine new show.

The colorful paintings of Peggy Weiss' "Odyssey Remembered" pay homage to both the ties that bind and the everlasting influence of nature on our psyche. Bonus: New works by photographer Kevin Greenblat and painter Erika Huddleston, too.

Ed Ruscha, anyone? We'll bet yes – we're big fans ourselves – and now here's a diverse selection of the celebrated American artist’s books, photographs, drawings, and pprints. With archival production materials, preliminary sketches, and studio notebooks; with more than 150 objects providing visitors an unprecedented look into Ruscha's creative process. And the Chronicle's Melany Jean tells more about this show right here.

Here's a new show of the New York-based artist's sculpture and photography, a body of work that "reflects an increasingly complicated world that requires a nuanced understanding of the potential of hybridity and pluralism." And this is our reviewer's reaction to the show.

"Chapel Shrine" showcases the paintings of Austin artist John Patrick Cobb, whose works of Biblical imagery are inspired by the religious paintings he encountered in European chapels. "Nacimentos" features traditional Nativity scenes from Mexico.

This is a solo show by Leslie Wilkes, featuring psychedelic paintings that experiment with color and momentum.

Paintings – beautiful paintings, we daresay – by Eva Sim-Zabka and Timothy Woolsey. And the photography of Chris Cina.

Through straight-forward animation and accompanied by a Sylvia Meyer music score, vintage figurines perform in humorous, absurd, and moving vignettes in this Liliana Porter video. It'll be screening, accompanied by Porter's Labor forzada installation, through February.

If someone's going to be presenting other forms of life, how lucky for those forms and for the viewers of those forms, that it's the New York–based artist Huma Bhabha, here offering an unforgettable array of human, alien, god, plant, animal, and machinelike entities, rendered in her unique combination of representation and abstraction, in two dimensions and three, in whatever media works best. Celebrated in professional art circles, welcomed with a mixture of wonder and fear by ordinary citizens with eyes to see, Bhabha's creations provide an infusion of transgenre brilliance and savagery that Austin, in particular, needs right about now.

In this new show by Tammie Rubin, "the wispy tendrils of ball moss serve as a signifier of gathering chaos, conclave connections, concentrated confusion, a labyrinth of values, and growing will. Sculptures are constructed of knots and tangles of twine and rope, embedded with steel wool and cotton, and armatures of wire."

In which the founding fathers of Austin punk get visual, as Jon Dee Graham, Jesse Sublett, and Larry Seaman present their unique visions of the world via canvas, paper, 3-D assemblages, and more.