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Who’s ready for a bedtime story? Because there’s nothing like Stephen Sondheim’s grand unification theory of the Brothers Grimm’s collection of German fairy tales. All your childhood folklore favorites become tangled up in the search for the cow as white as milk, the cape as red as blood, the hair as yellow as corn, and the slipper as pure as gold. Underneath the toe-tappers and cunning one-liners, there’s a fable about the perils of getting what you wished for and not paying attention to what you have, a moral reiterated by a witch who’s not good, not nice; just right. – Richard Whittaker

Wherefore art thou, bilingual adaptation of Shakespeare’s iconic play about rivalry, young love, and sword fights? The romance is closer than you think: Writers KJ Sanchez and Karen Zacaría along with director Anna Skidis Vargas bring this timeless work into a new context, right on UT-Austin’s campus. The tale that pits Montague against Capulet settles in fair Alta, California, circa 1840. “Set in the limbo between Mexican rule and new statehood,” the event description reads, “this retelling shifts between English and Spanish, bringing new life to a well-loved tale of love, bloodshed, family and fate.” Now there’s an idea you won’t bite your thumb at. – James Scott

For generations of children, Arnold Lobel’s stories of amphibian best buds Frog and Toad have been a charming guide to the complexities and joys of friendship. Now the pair take to the stage for this delightful Tony-nominated musical. It’s truly a family affair, adapted by Lobel’s son-in-law Mark Linn-Baker with music by Robert Reale and book & lyrics by his brother, Willie. This new production, directed by Best of Austin winner Sara Burke, features Jillian Sainz and Victoria Brown donning the signature jackets and trousers of Frog and Toad, respectively. – Richard Whittaker

The first night on a giant floating casino/discotheque just off Manhattan: What can possibly go wrong? Well, since this is the 1970s, the decade of the disaster movie, how about earthquakes, tidal waves, rats, explosions, and deadly slot machine handles? Jack Plotnick and Seth Rudetsky’s Broadway jukebox musical features toe-tappers from the decade of AOR and disco, so there’s no better place to be for a night of mayhem and Chuck Mangione. Just watch out for the sharks … – Richard Whittaker

This sweet opportunity comes to us from the Downtown Austin Alliance, the Pease Park Conservancy, and Ride Bikes Austin – so we know it's a damned good thing indeed. Take the self-guided Art & Parks Tour to explore the best of what Downtown Austin art and parks have to offer through this selection of curated murals, artworks, and green spaces. You can sign up anytime, so click that URL and get ready to learn the most vibrantly visual parts of your city soon – live and in person.

The worst myth about William Shakespeare was that he was a unique genius who penned his greatest plays and sonnets in pristine isolation in his home in Stratford-upon-Avon. Lizzy Duffy Adams’ scathing comedy gets to the reality: that he was a jobbing playwright, a controversial upstart crow in Elizabethan London’s vibrant, tumultuous theatre scene. A long day with his contemporary, the radical Christopher Marlowe, becomes an examination of collaboration, influence, politics, desire, and the wild energy of life behind the stage. Austin Playhouse’s production runs Thursday-Sunday through April 28. – Richard Whittaker

That's right: Cap City Comedy Club, the longtime cornerstone of Austin's comedy scene for nearly four decades is at a new venue in the Domain. And here's Valerie Lopez with a closer look at what's in store for the scene via the venue. Click for details!

Traveling in Mexico, you frequently encounter changarritos – portable food carts or tienditas run by hardworking entrepreneurs. The carts usually operate outside of any formal regulation and, in that way, mirror the resilience and creativity of Mexican culture. In 2005, artist Máximo González appropriated the concept of the changarrito as a way for artists to take their work directly to the people. The idea came to Austin’s venerable Mexic-Arte Museum in 2012, with dozens of artists displaying art and interacting with the public outside the Downtown gallery. The concept is back and will run through August. – Brant Bingamon

Works by the annual Tito’s Prize Winner for Visual Arts – yes, that’s the Tito’s Handmade Vodka Tito, tyvm – are presented, as ever, by the community-forward creatives at Big Medium, and this year’s honoree is Trinidadian artist Rodell Warner. Come explore the new Big Medium space on South Congress, its gallery recently refurbished after a fire and freshly bright with Warner’s provocative digital interventions that fictionalize the Caribbean’s fraught past and interrogate that region’s historical photographic archive. – Wayne Alan Brenner

Art conservation can be a contradiction: to destroy to preserve. Thus it is with the HRC and its efforts to restore the Clarkson Stanfield album, one of the most remarkable volumes in the history of art photography. More correctly known as “100 Calotypes by D. O. Hill, R.S.A., and R. Adamson,” the collection of over 100 salted paper prints was collated by the photographers for landscape artist Stanfield and depicts the lords, laborers, clergy, and scientists of 19th-century Scotland and the landscapes in which they lived. Currently undergoing repairs, the center staff are using its deconstructed state to display 39 plates, along with more works from Hill and Adamson, as separate works since the first time they were bound. – Richard Whittaker

As a glasses-wearer, my vision unobstructed by assistive frames reveals a world of shapes – formless, edgeless, but colorful wonders nonetheless. Take a glance at Jen Garrido’s work, and you’ll feel as though your glasses have fallen away, too. The artist’s process, as she puts it, is “a delicate balance of choice and process.” She gravitates toward shapes that “tangle, overlap, sit, lean and lay” as a vessel for personal narratives and internal dialogues. While first looks may reveal only color and texture, Garrido’s paintings invite projection – so project your meanings any Tuesday-Sunday before the show’s April 28 end date. – James Scott

This local treasure of a venue, run by those Contemporary Austin folks who also bring us the Jones Center shows Downtown, is all about the outdoors – which is perfect for these trickily navigated times of ours, n'est-ce pas? Recommended: Stop by and breathe in the air, enjoy the lawns and gardens and the many examples of world-class sculpture arrayed across the property, and (as Frankie used to say) r-e-l-a-x.

Use your smartphone to access self-guided tours of the outdoor public art sited by UT's award-winning Landmarks program any time you feel like it. BONUS: There's also a free, docent-led tour starting at Marc Quinn's "Spiral of the Galaxy" (1501 Red River) on Sun., Jan. 8, 11am.

A piece of Dallas artist Molly Sydnor lives in Austin this spring thanks to “After the Rain Part I,” a Big Medium pop-up exhibition of bright textiles. Like a touchable rainbow, the multicolor weavings run ceiling-to-floor in a tiny room of the arts organization’s South Congress Avenue gallery space. The claustrophobic container may “evoke anxiety,” the artist notes, but for Sydnor, the act of weaving is a meditative process. Catch the display from 7 to 9pm on Tuesdays and Thursdays, or weekends from 11am to 4pm. – Carys Anderson

Enter the fascinating world of illusions in this new venue that boasts a stunning array of intriguing visual, sensory, and educational experiences among new, unexplored optical wonderments.

Flowers are an integral part of the lives of the Broq-Pa peoples of the Indian subcontinent, a constant adornment for both men and women. The interplay of human and floral forms has fascinated artist Ziesook You and become the prevailing theme of her work onward from 2016. Since relocating to Austin two years ago, the internationally acclaimed artist has given a local twist to that body of work with this new collection featuring single mothers, seniors, and people with multicultural backgrounds as living vases for local flora. – Richard Whittaker

Black cultural studies scholar Lisa B. Thompson’s “theatrical love letter to Black women and girls” premieres to a sold-out crowd this Friday at the Vortex. The choreopoem – which incorporates music, movement, and design, and culminates in an audience dance party – is “about embracing the ‘soft life’ for Black women, whose labor and dedication has sustained people, communities, and institutions,” says Thompson, who conceived of the idea during her 2021 MacDowell artist residency. The show was subsequently developed during a 2023-24 Texas Performing Arts and Fusebox residency, and includes songs co-written with composers Guthrie P. Ramsey, Jr. and Vince Anthony, as well as collaborations with choreographer Sadé M. Jones. The show runs Thu.-Sun. through May 4, and tickets are selling fast! – Lina Fisher

The diverse lineup of hilarious, always surprising improv shows continues, with Pgraph and Maestro and the Big Bash and more, for the most unexpected delights of in-person entertainment.