March 27 • 2009

Mar 27 - Apr 2, 2009 / Vol. 28 / No. 30

Cover Story

Believing the Children

In 1992, Fran and Danny Keller were convicted of multiple counts of child sexual abuse at their Oak Hill day care center and sent to prison for 48 years. It’s likely they were innocent. Indeed, it’s very likely that no crime ever occurred – except an absurd and overzealous prosecution

Live Shots

Devo Austin Music Hall, March 20 Given Devo’s emblematic role in shaping contemporary 1980s nostalgia, the question was whether the Akron, Ohio-bred quintet would scare up a 21st century version of Ricky Nelson’s “Garden Party.” A competent running of the hits would’ve sent the crowd home happy, but the group performed as if it were…

Live Shots

The Wooden Birds The Parish, March 21 Turning repeatedly to his band between songs, Andrew Kenny offered soft encouragement – “That was pretty good guys” – as if surprised at the tightness of the mellow sound rolling behind him. There was little surprising about the Wooden Birds, however, as the quintet couched comfortably familiar in…

Live Shots

The Decemberists Stubb�s, March 18 Despite a tentative beginning, the Decemberists pulled off the live premiere of their magnificent fifth album, The Hazards of Love, a rock opera of sorts based on archetypal characters from the folk music lexicon. Skeptics might argue that to re-create the album live robs a performance of its own natural,…

Live Shots

Jimmy Webb & the Webb Brothers Prague, Saturday 21 Jimmy Webb has been in the biz since the mid-1960s. During that time, the 62-year-old has penned a handful of platinum-selling hits. He also had six kids, three of whom put together the literally named Webb Brothers, yet Saturday night was the first time he had…

Sunshine Cleaning

Two sisters try to remedy the financial and emotional paralysis of their lives by starting a company that specializes in crime-scene cleanups.

Live Shots

Érika Machado The Rio, March 18 Érika Machado traveled 5,000 miles to play a 40-minute set to 20 people in a Tex-Mex eatery. Such is the fate of a largely unknown international act performing at a music festival. Acoustic guitar in hand, the Brazilian singer loped through much of 2007’s No Cimento, including “Perna,” “Tédio,”…

Live Shots

The Cannabinoids featuring Erykah Badu Auditorium Shores Stage, March 21 To answer the question: No, the Cannabinoids featuring Erykah Badu weren’t worth seeing. As a matter of fact, the hour the packed crowd at Auditorium Shores spent waiting for Badu to show up was a complete waste of time. The Cannabinoids, Badu’s 11-man DJ collective,…

Crossing Over

Various characters who are ensnared within the dogged machinery of the American immigration system become the subjects of this multistrand narrative.

Live Shots

Kid Congo Powers & the Pink Monkey Birds Emo’s Jr., March 18 Batting last in Leafy Green Booking’s formidable showcase, guitarist Kid Congo Powers & the Pink Monkey Birds delivered a workmanlike set. As a founding member of the Gun Club, longtime member of the Cramps, and onetime sideman to Nick Cave, Powers proved himself…

Live Shots

The Knux/Dead Prez Vice/Austin Music Hall, March 21 Though it fades slightly on the back end, last year’s Remind Me in 3 Days … was one of the most promising albums of 2008, hard-copy proof that hip-hop can sound like 1996 even if artists can’t afford to use samples anymore. Knux brothers Krispy Kream and…

SXSW Film Reviews

American Prince Documentary Feature, Special Screenings D: Tommy Pallotta In 1978, Martin Scorsese released a legendary but little-seen documentary about Steven Prince, an ex-heroin-addict, former road manager for Neil Diamond, and heavyweight raconteur. For 55 minutes Scorsese gave his friend the floor to tell stories of his hectic life (some of which would later make…

A Guide to the Works

This year’s New Works Festival runs for six days, with performances beginning at 10am each day and ending by 11pm. Works are being performed in a variety of spaces around the Winship Drama Building, 23rd and San Jacinto, some of them quite small and able to seat only 15 to 50 people, so it’s a…

Live Shots

Peter Murphy Elysium, March 19 The former goth godhead and current vamp-in-residence for Turkey may be sporting a bit of a paunch these days, but his multioctave pipes have maintained a darkly golden sheen, surpassing even those of his glam-pop hero, one David Bowie. Murphy’s Elysium gig managed barely half the black magic of his…

Live Shots

Futomomo Satisfaction Opal Divine’s, March 21 The Tokyo 10-piece that paraded down Sixth Street earlier in the day with homemade signs to promote its stateside debut wowed a bewildered crowd with big-band covers and “the power of the bikini.” As the band launched into the driving spy-funk of the “Peter Gunn Theme,” a trio of…

SXSW Film Reviews

The Last Beekeeper Documentary Feature, Spotlight Premieres D: Jeremy Simmons Almond milk, almond butter, almond cookies, Almond Joy, almond lotion … almonds are ubiquitous. However, their existence is threatened by the extinction of one very hardworking creature: the bee. Almond trees depend on bees for pollination, and bees are rapidly dying thanks to Colony Collapse…

Festival Schedule

All room numbers are for the Winship Drama Building. Monday, March 30 11am Keynote address by Rubén Polendo, Payne Theatre 11:30 Opening reception, Payne lobby 1pm Autopilot, 1.134 1:30 Problem Box, 2.180 2:30 Chest Scale reception, Upper Atrium Panel: The Business of Show Business, 2.112 4pm Writing a Letter to Fidel, 1.134 4:30 The Edge…

Live Shots

Beach House Volume, March 19 Victoria Legrand and Alex Scally, decked out in black leather vest and ironic mustache, respectively, echoed dream pop in direct counterpoint to the family-style orchestrations so prevalent over their past half-decade. Opening the cavernous Volume with a squall of unintentional feedback, the Baltimore trio (now including drums!) launched into a…

Live Shots

Doug Sahm’s ‘Mendocino’ Austin Convention Center, March 21 Although this lively panel was ostensibly about the Sir Douglas Quintet’s landmark 1969 single, “Mendocino,” anyone who knows anything about the late Doug Sahm could guess tangential asides would overwhelm the assigned subject matter. Moderator Bill Bentley chose the 1966 Corpus Christi dope bust that compelled Sahm’s…

Headlines

• Cap Metro’s plans to launch the Capital MetroRail Red Line have been put on indefinite hold after allegations of violations of state and federal safety rules by rail contractor Veolia Transportation. See “Cap Metro.” • By unanimous vote on March 23, the Austin Independent School District board of trustees confirmed Meria Carstarphen (pictured), the…

Live Shots

Rosalie Sorrels Victorian Room at the Driskill, March 19 At 75, Rosalie Sorrels was among the more veteran performers at South by Southwest, yet as she reminded her audience, “Little old ladies are sometimes surprising.” Sorrels performed only eight songs over 50 minutes but charmed the audience with tales of the artists she’s met and…

Live Shots

Neil Young Archives Austin Convention Center, March 21 Ten minutes into his panel, Elliot Roberts’ phone started ringing. It was his most famous client, Neil Young. Roberts declined to answer the call as he was busy with something more important. He was unveiling Young’s oft-delayed Archives box set. Volume 1 (of perhaps up to five)…

SXSW Film Reviews

Women in Trouble Narrative Feature, Spotlight Premieres D: Sebastian Gutierrez; with Carla Gugino, Adrianne Palicki, Connie Britton, Josh Brolin, Simon Baker, Marley Shelton, Emmanuelle Chirqui, Joseph Gordon-Levitt, Sarah Clarke, Cameron Richardson Before reaching the verge of a nervous breakdown, the subjects are generally women in trouble … and that’s more or less how it goes…

Live Shots

Big Boi Austin Music Hall, March 19 Even without Andre 3000, OutKast rapper Big Boi still brought the bangers. After assuring the modest crowd that his heavily leaked solo album Sir Lucious Leftfoot: The Son of Chico Dusty would be out soon, the man born Antwan Andre Patton offered a lesson in flow drawing heavily…

Live Shots

Woodstock: Untold Stories Austin Convention Center, March 21 Woodstock occurred 40 years ago this August, but just talking about it can still draw quite a crowd. Author Holly George-Warren led a group of Woodstock veterans through a panel so enjoyable that it went 30 minutes over and no one seemed to care. It started with…

Film News

New projects from Robert Rodriguez and Tim McCanlies; plus Danny DeVito plus Limoncello, together forever

Live Shots

Lady Sovereign Club de Ville, March 20 Beginning 20 minutes late, Lady Sovereign’s set initially reigned chaos. The showcase MC tried to keep the crowd energized while Sov’s DJ Annalyze spun and scratched, and seven or eight entouragers wandered onstage sipping beers and impatiently signed orders to the sound booth. Suddenly the trademark “S-o-veee” motif…

Red Carpet Rodeo

500 Days of Summer’s Joseph Gordon-Levitt and Zooey Deschanel I Love You, Man’s Rashida Jones and Paul Rudd Women in Trouble’s Connie Britton (l) and Carla Gugino Observe and Report’s Anna Faris and Seth Rogen Moon director Duncan Jones (r) and star Sam Rockwell Directors (l-r) Rick Linklater, Spike Lee, and Todd Haynes

SXSW Film Reviews

Strongman Documentary Feature, Special Screenings D: Zachary Levy There seems to be an unspoken rule among documentarians that anything or anyone is worthy of a documentary if you can just get the right footage and edit it entertainingly. Hoop Dreams comes to mind, as it followed two inner-city teens and ended up being a transcendent…

Live Shots

Wovenhand Spiros, March 20 “Weave together anger and grief, bow down, bow down, and sing,” growled David Eugene Edwards during a rare South by Southwest Music Fest encore of his former band 16 Horsepower’s “Horse Head Fiddle,” his blues moan scouring atop droning guitar. Few phrases better capture the preceding 40 minutes of Wovenhand’s set,…

In Print

The chief aim, it seems, of Molly Haskell’s terrific new book is to make it okay to admit to liking Gone With the Wind

Live Shots

The Bar-Kays Dirty Dog Bar, March 19 Call it the Beale Street Invasion. Memphis Music Foundation’s Thursday night showcase was a reminder that the resilient Tennessee town is forever a haven for American music. After hip-hoppers Free Sol filled in for 8Ball & MJG, who missed their flight, and rockers Lucero drenched the crowd in…

SXSW Film Reviews

Burma VJ Documentary Feature, Special Screenings D: Anders Ostergaard This film is the backstory to the media footage we watched on TV in the summer of 2007, when 100,000 Myanmar citizens – joined by the country’s usually apolitical Buddhist monks – marched against a 40-year-long repressive military regime. (The iconic image of the all-too brief…

Live Shots

PJ Harvey & John Parish Stubb’s, March 21 Predictably, Saturday’s mellow 45-minute set only featured songs PJ Harvey and longtime creative partner John Parish have written together for 1996’s Dance Hall at Louse Point and their new collaboration, A Woman a Man Walked By. Still, it was a thrill to see Harvey come alive in…

Live Shots

The Strange Boys Beauty Bar Backyard, March 21 You know it’s a great show when a South by Southwest showcase by an Austin band is chock-full of locals. The garage rock of Austin pride the Strange Boys isn’t some derivation of the past. It’s original and genuine. Ever-youthful Ryan Sambol led his Boys – brother…

Knowing

It’s up to Nicolas Cage to save the world in this movie about a man who deciphers a cryptic artifact that predicts major disasters, past and future.

SXSW Film Reviews

The Big Squeeze Documentary Short D: Hector Galán What starts as a trailer for the Austin-based Texas Folklife Resources and its annual Accordion Kings & Queens competition veers into a narrow examination of traditional accordion music. Galán has made a career celebrating Tejano and conjunto music with todo corazón. However, this documentary, prepared for PBS…

Live Shots

Silversun Pickups Antone’s, March 21 This wasn’t Silversun Pickups’ night. The capacity crowd at Antone’s grew increasingly impatient as a couple of the group’s earnest roadies sound-checked endlessly. Then we waited. And waited. Finally, the L.A. quartet emerged onstage, beatific grins on the members’ faces, before ripping into “Well Thought Out Twinkles” from their 2006…

Live Shots

Primal Scream Cedar Street Courtyard, March 19 By now it’s obvious: Scottish rockers Primal Scream are the true inheritors of the Stones’ battered, jagged, yet ultimately glorious Brit-rock & roll crown. Both Keith Richards and Scream frontman Bobby Gillespie have pried a few jewels off that tarnished old topper, the better to barter for illicit…

SXSW Film Reviews

Final Audience Awards Announced SXSW announced two more audience awards near the end of the Festival: Iron Maiden: Flight 666 (D: Scot McFadyen, Sam Dunn) took Best in Show for the 24 Beats per Second sidebar, and Over the Hills and Far Away (D: Michel Orion Scott), about one Austin family’s struggle with living with…

Live Shots

Justin Townes Earle Red Eyed Fly, March 21 Justin Townes Earle tried to start his set with “They Killed John Henry” but forgot the words and gave up. It was the last misstep of the evening. Earle’s a natural performer, and accompanied only by banjo and mandolin from Cory Younts, he offered effortlessly perfect renditions…

Gomorrah

The viral progression of organized crime in Naples, Italy, is starkly portrayed in this violent and deglamorizing gangster movie.

Luv Doc Recommends: Holy Cross Sucks!

Loud music and shitty beer: Over it. You probably also feel the same about lukewarm catered barbecue, nutrition bars, and sickly sweet energy drinks – at least until your plane goes down in the Andes. Then again, offered the choice, you might actually opt for frozen human flesh. Morality aside, it would surely be the…


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