December 30 • 2011

Dec 30, 2011 - Jan 5, 2012 / Vol. 31 / No. 18

Cover Story

Occupy Austin, 2011

Since early October, a few days after the Austin wing of the Occupy Wall Street national movement got under way, Chronicle photographer John Anderson has been following, photographing, and engaging with the Occupy Austin activists who have camped at City Hall, marched on Downtown streets, and rallied at the state Capitol. This photo essay is…

Phases & Stages

A decade after alto saxophonist Lee Konitz, pianist Brad Mehldau, and double-bassist Charlie Haden collaborated on two absolutely sublime live recordings for Blue Note Records, Alone Together and Another Shade of Blue, this multigenerational trio reconvened on jazz/classical indie ECM Records with the addition of drummer Paul Motian on Live at Birdland. Motian, who died…

Quote of the Week

“They are willing to spend whatever they want on law enforcement but then wring their hands over spending money on social services.” – Occupy Austin participant Snehal Shingavi on city costs

Headlines

› City Council is on holiday break until Jan. 12, when it will soon face the particularly vexing question of how to respond to Austin Energy’s request for a new rate structure – AE says the increases are necessary for the city-owned utility to remain solvent, but environmentalists and advocates for the poor have argued…

Don 2

In this Bollywood film, an underworld boss, having conquered the Asian crime syndicate, now sets his sights on world domination.

Rajanna

this Telegu film set in the 1950s recounts the story of freedom-fighter Rajanna and the parallel story of his daughter’s struggle for personal freedom.

Food-o-File

Texas is still big on the small screen, plus a bounty of barbecue and burger joints and a Hill Country building boom

Phases & Stages

Tom Waits Bad as Me (Anti-) For Bad as Me, his 22nd recording – 17th in the studio, and first in lucky seven years – Tom Waits colors outside the lines with a grainy, black marker. The 13 tracks are his butcher’s dozen of yowling ballads, whiskey poems, and blustery blues aided by a heartbreak…

Phases & Stages

Feist Metals (Cherrytree/Interscope) While Metals, Leslie Feist’s fourth full-length album, lacks the playfulness and élan of 2007’s The Reminder, which gave us “1234” and “I Feel It All,” it may actually be a far more precious document. Where those songs represented the buoyant marriage of indie sensibilities and a sweet pop tooth, Metals lacks any…

Toros Hold Early NBA D-League Lead

If you haven’t yet attended an Austin Toros game this season, then you need to seriously reconsider your priorities. Even with losing star players (and fan favorites) Lance Thomas and “Squeaky” Carldell Johnson to the NBA’s New Orleans Hornets, the Toros lay claim to the league-best record of 7-3. They face a tough challenge with…

Phases & Stages

The Black Keys El Camino (Nonesuch) With last year’s Brothers, the Black Keys achieved overnight success a decade in the making. Breakthrough hit “Tighten Up” led to more commercial exposure than a season of Mad Men, not to mention appearances on Austin City Limits and Saturday Night Live. Quickie follow-up El Camino essentially offers a…

Phases & Stages

The Roots Undun (Def Jam) Late-night TV’s most famous house band rarely goes short on practice time these days, but what gets lost between Justin Timberlake guest spots and remakes of Fishbone’s “Lyin’ Ass Bitch” is “Thought @ Work.” There’s just not enough Black Thought on Jimmy Fallon. Undun, the Roots’ 11th album and first…

Luv Doc Recommends: NYE 1977

Saturday night begins the year of the Mayan apocalypse. Time to get your ducks in a row … just in case. It’s true the Mayans did’t invent the wheel or gunpowder or the Internet, but they did come up with the concept of zero and they estimated the solar year to be just slightly longer…


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