Home Events

That's right: Cap City Comedy Club, the longtime cornerstone of Austin's comedy scene for nearly four decades is at a new venue in the Domain. And here's Valerie Lopez with a closer look at what's in store for the scene via the venue. Click for details!

You think it’s easy, being somebody’s mother? You think giving birth to another human being doesn’t put your own humanity and purpose under some fierce self-scrutiny? Milwaukee-based artist Aimée M. Everett, in her solo show at the George Washington Carver Museum and Cultural Center, uses abstraction, minimalist line-making, saturated colors, and melodic compositions to explore “the profound transformations experienced during childbirth and the subsequent journey of self-discovery into motherhood.” Word – or, more appropriately, image – to your mother. – Wayne Alan Brenner

Traveling in Mexico, you frequently encounter changarritos – portable food carts or tienditas run by hardworking entrepreneurs. The carts usually operate outside of any formal regulation and, in that way, mirror the resilience and creativity of Mexican culture. In 2005, artist Máximo González appropriated the concept of the changarrito as a way for artists to take their work directly to the people. The idea came to Austin’s venerable Mexic-Arte Museum in 2012, with dozens of artists displaying art and interacting with the public outside the Downtown gallery. The concept is back and will run through August. – Brant Bingamon

Are you ready to embark on an unforgettable journey filled with excitement, discovery, and fun? Look no further than Destination Exploration at The Brainery™, a summer camp program designed to ignite the spirit of exploration while fostering critical thinking, creativity, and a love for learning. Programming includes Kidlympics, sports, entrepreneurship, philanthropy, field trips, and more. Ages 5-11.

Esther's Follies – Austin's not-so-secret weapon in the fight against ennui – the comedy gem that still dazzles this growing urban hub – returns to the weekly live and in-person stage of their club on Dirty Sixth, the whole troupe bringing back old favorites and debuting a new program of hilarity with topical, ripped-from-the-headlines sketches and musical numbers. And you do need a laugh or two, right about this time, don't you, citizen? (And how about a margarita to go with that?) We'd add that the mind-boggling illusions of magician Ray Anderson are a bonus in the night's clever spectacle … but, the way that arch maestro conjures mystery and delight, "bonus" would be an insult.

Works by the annual Tito’s Prize Winner for Visual Arts – yes, that’s the Tito’s Handmade Vodka Tito, tyvm – are presented, as ever, by the community-forward creatives at Big Medium, and this year’s honoree is Trinidadian artist Rodell Warner. Come explore the new Big Medium space on South Congress, its gallery recently refurbished after a fire and freshly bright with Warner’s provocative digital interventions that fictionalize the Caribbean’s fraught past and interrogate that region’s historical photographic archive. – Wayne Alan Brenner

They say Texas is the gun capital of America; no arguments here. And many gun collectors treat them almost like toys, taking pride in amassing safeloads of the things and procuring the latest gadgets. Internationally acclaimed Italian photographer Gabriele Galimberti set out to capture images of American gun owners among their massive collections of weapons for “Ameriguns,” resulting in some stunning imagery. This series is juxtaposed with children showcasing their toy collections for “Toy Stories,” for which Galimberti also made observations about socioeconomic and other factors influencing the subjects’ relationship to their possessions, making for a thoughtful and provocative exhibition. – Kat McNevins

Art conservation can be a contradiction: to destroy to preserve. Thus it is with the HRC and its efforts to restore the Clarkson Stanfield album, one of the most remarkable volumes in the history of art photography. More correctly known as “100 Calotypes by D. O. Hill, R.S.A., and R. Adamson,” the collection of over 100 salted paper prints was collated by the photographers for landscape artist Stanfield and depicts the lords, laborers, clergy, and scientists of 19th-century Scotland and the landscapes in which they lived. Currently undergoing repairs, the center staff are using its deconstructed state to display 39 plates, along with more works from Hill and Adamson, as separate works since the first time they were bound. – Richard Whittaker

As a glasses-wearer, my vision unobstructed by assistive frames reveals a world of shapes – formless, edgeless, but colorful wonders nonetheless. Take a glance at Jen Garrido’s work, and you’ll feel as though your glasses have fallen away, too. The artist’s process, as she puts it, is “a delicate balance of choice and process.” She gravitates toward shapes that “tangle, overlap, sit, lean and lay” as a vessel for personal narratives and internal dialogues. While first looks may reveal only color and texture, Garrido’s paintings invite projection – so project your meanings any Tuesday-Sunday before the show’s April 28 end date. – James Scott

How do we experience each singular second of our lives? An enormous question for an event listing, sure, but that’s exactly what artist Karn Knutson tackles in her current exhibition. “Knutson attempts to show us ourselves in moments of reflection,” the show description reads, “contemplating the transitions through life, processing the struggles, finding ways forward with knowledge, sometimes hard lessons from our past, and learning from our choices good and bad. She aims to represent the things we all feel but can’t always express until we see something that lets us talk about it outside ourselves.” Maybe the something that unlocks your inner feelings is waiting just inside Link & Pin, ready to unleash all those singular seconds. – James Scott