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As the country comes together to voice their dissent against countless injustices against black Americans, ZACH Theatre announces the online release of its 2019 critically acclaimed production Notes From The Field, a play by Anna Deavere Smith about racial inequity. The show, which stars stars Michelle Alexander, Zell Miller III, Carla Nickerson, and Kriston Woodreaux, is available for viewing free through June 14. Also, you're invited to participate in two facilitated Community Conversations hosted over Zoom: Thu., June 11, 6pm and Sun., June 14, 2:30pm.

Currently open by reservation only, yes, but you should have no reservations about seeing this stunning exhibition by Dallas native Lee Albert Hill. You want an eyeful of big, bright abstractions via acrylics on canvas over board, handwrought yet almost machinelike in their meticulous design and execution? You probably do, especially in this case. Because it's like … um … like if someone hired Mike Hinge and Bill Sienkewicz to show how well tangrams could be used to illustrate subatomic events from CERN's bubble chamber – and then threw a fistful of chaos shards at the collaboration's results. The accompanying image here is one miniaturized example; imagine seeing a roomful of such intricacies at full size. Hell, imagine scheduling a private viewing of this show with gallerist Troy Campa: That's some solid pandemic diversion right there, tell you what. (And your man Brenner rhapsodizes a bit further about it in this review.)

In advance of the upcoming Swec & Criscoe exhibition, ICOSA presents a series of front-window installations that are viewable 24 hours a day. "An imperfect show in imperfect times that recognizes our shortcomings and missteps, our pain, loneliness, and uncertainty, that aims to move forward carefully and intentionally. This work was made during the pandemic, but before the world exploded once again in response to the horrific murder of George Floyd, thrusting the world into a greater awareness of systemic racism and police brutality, and renewing energy and momentum in the fight for justice." Note: A portion of the proceeds from sales of the artworks will be donated to Six Square: Austin’s Black Cultural District.

It's a combination of Austin’s newest student performers and some of the most experienced troupes in town – nigh on exploding with games, gambits, and much raw energy.

Here's a livestream in which you can bake along with playwright Christine Hoang and Vanessa as they make a pound cake for Father's Day.

Make an appointment, friend, and you can see these beauties in person. And if there's anything (aside from certain substances still criminalized by a failed system of law) that can elevate the senses and lighten the load, it's this bright collection of new works by Austin's Patrick Puckett. The artist's "large, bold canvases explore the human figure inspired by the artist’s life in the American South and often include symbolic references of both real and imagined nostalgia." And, we add, the downright Fauvist, polychrome exuberance of these paintings will likewise inspire your art-hungry eyes.

The city's original outdoor aerialists, directed by Sally Jacques, performed this stunning piece that took place at the J.J. Pickle Federal Building in 2009. Now you can witness the spectacle onscreen, with a link for the entirety of it sent directly to your inbox – and half the proceeds go to Six Square and the Austin Justice Coalition.

This show features images by activist photographers of the Civil Rights Movement, telling a visual story of the struggle against segregation, race-based disenfranchisement, and Jim Crow laws in the 1960s. These photos capture the day-to-day struggles of everyday citizens and their resolve in the face of violence and institutionalized discrimination – with more than a dozen additional images representing activism and protest in Austin's own history.

Inspired by the Mexican American Cultural Center's annual La Mujer celebration – and by the first feminist of the New World, Sor Juana Ines de la Cruz – this online group exhibit is curated by April Garcia and features womxn-identifying and nongender-specific artists whose artwork is tied to activism, feminism, cultural. and gender identity storytelling, environmental protection, and socioeconomic parity.

That's right! So make an appointment to check out this inventive array of creative work. (Note: Only five people allowed per appointment; no hugging, kissing, high-fiving, or even fist-bumping the gallerist.) But, look: Sarah Sudhoff's "Point of Origin" takes cues from the connections between sound and human emotion, here realized with suspended sculptures, sound installation, and debossed wall works that draw upon the artist's personal observations, cartography, and the mechanics of helicopters – especially those copters involved in the nearly 300 flights completed in just one month for Houston's Memorial Hermann Health System.

That South Congress stronghold of the stonecutters' art presents its third in a series of front-window exhibitions, a perfect visual treat for your plague-time strolling. Listen: "Vault Stone Shop asked Saul Jerome San Juan to make art in response to: the namesake of the road (St. Elmo) that meets Congress Avenue where the gallery's located. Inspired by the evolution of St. Elmo’s verbal and visual depiction, San Juan invited other artists to collaborate … on the generative power of making images about the understanding and translation of narrative information."Ah, and those other artists? Richard Ashby, Thomas Cook, Jeffery Primeaux, Erika Huddleston, Valerie Chaussonnet, and B. Shawn Cox.Verdict: This is a welcome opportunity to reward your eyes the next time you're exercising shank's mare south of the river. Recommended!