Screens
Fantastic Fest Interview: Kylgor in the Grisly Abyss
How latex, furniture foam, and a bunch of friends helped Mason Newton DeRushie create his puppet sword and sorcery epic
latest Reviews
Fantastic Fest Review: The Glorious Dead
Microbudget mainstays the Adams Family return with a snowy shocker
Oasis: Don’t Look Back in Anger Review: It’s Not Just Rock & Roll
Concert doc stages a touching ode to forgiveness and fandom
Hope Review: A Monstrous Waste of Potential
Bloated, nonsensical creature feature is the South Korean Transformers
Onslaught Review: Pervy Sex and Bloody Death
Sorta-sequel to The Guest keeps the violence and ramps up the sleaze
More Screens
Austin Film Festival Adds Documentary Premieres, Oscar Contenders, and Newly Minted Emmy Winners
Plus: Jim Taylor to receive Bill Wittliff Award for Screenwriting
Fill Your Hypocrisy Meter in a New Video Game Starring Ken Paxton
Your main move: Declare Victory… mid-battle
Stoned Rosetta Stone: The Hidden Details of Austin’s Greatest Mural
With season two of the 23rd Street Mural Project, Mike Woolf deciphers the city’s history
Unpleasant Dreams in New Horror Film Parasomnia
Austin-based filmmaker James Ross II on why the vulnerability of sleep makes for such great horror
Dear You Review: Identity and Integration in a Hidden Family History
Chinese sleeper smash takes a tender look at the refugee experience an ocean away
The Sun Never Sets Review: A Love Triangle in the Land of the Midnight Sun
Dakota Fanning considers her options in Joe Swanberg’s romantic dramedy
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