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They’re dogs; they’re Australian; and they’re back by popular demand! Kids and parents alike will be barkin’ up a storm for this stage play featuring the Heeler family as incredible puppet creations – yes, that includes mom Chili, dad Bandit, and kiddos Bluey and Bingo. Wondering what these Aussie cattle dogs will get up to? “When Dad feels like a little bit of Sunday afternoon time out, Bluey and Bingo have other plans! Join them as they pull out all of the games and cleverness at their disposal to get Dad off that bean bag.” Wackadoo! – James Scott

If you caught the 2018 doc McQueen, about the late fashion designer Alexander McQueen, then you’re already familiar with the talents of his nephew and protégé Gary James McQueen, who was responsible for the stunning, under-the-skin skull sculptures featured in the opening credits. Those skulls, as represented via 3D lenticular artworks, form the basis of the Gary James McQueen exhibit – his first stateside – now running at West Chelsea Contemporary through March 24. – Kimberley Jones

For generations of children, Arnold Lobel’s stories of amphibian best buds Frog and Toad have been a charming guide to the complexities and joys of friendship. Now the pair take to the stage for this delightful Tony-nominated musical. It’s truly a family affair, adapted by Lobel’s son-in-law Mark Linn-Baker with music by Robert Reale and book & lyrics by his brother, Willie. This new production, directed by Best of Austin winner Sara Burke, features Jillian Sainz and Victoria Brown donning the signature jackets and trousers of Frog and Toad, respectively. – Richard Whittaker

This sweet opportunity comes to us from the Downtown Austin Alliance, the Pease Park Conservancy, and Ride Bikes Austin – so we know it's a damned good thing indeed. Take the self-guided Art & Parks Tour to explore the best of what Downtown Austin art and parks have to offer through this selection of curated murals, artworks, and green spaces. You can sign up anytime, so click that URL and get ready to learn the most vibrantly visual parts of your city soon – live and in person.

When a fellow is named Tim McCool, you’ve got to hope he lives up to the moniker. We reckon that, as co-founder (with his dauntless spouse, Kira) of the right-there-in-the-garage Good Luck Have Fun Gallery off Enfield, this particular art-scene mover and shaker is as McCool as it gets. Evidence: The gallery’s newest show brings together the colorful and provocative work of four women artists – Aubree Dale, Aria Brownell, Wendy Rhode, and Barbara Miñarro – “who explore the relationships between individual identity and the collective, the process of making art and of making one’s self.” – Wayne Alan Brenner

That's right: Cap City Comedy Club, the longtime cornerstone of Austin's comedy scene for nearly four decades is at a new venue in the Domain. And here's Valerie Lopez with a closer look at what's in store for the scene via the venue. Click for details!

Works by the annual Tito’s Prize Winner for Visual Arts – yes, that’s the Tito’s Handmade Vodka Tito, tyvm – are presented, as ever, by the community-forward creatives at Big Medium, and this year’s honoree is Trinidadian artist Rodell Warner. Come explore the new Big Medium space on South Congress, its gallery recently refurbished after a fire and freshly bright with Warner’s provocative digital interventions that fictionalize the Caribbean’s fraught past and interrogate that region’s historical photographic archive. – Wayne Alan Brenner

Art conservation can be a contradiction: to destroy to preserve. Thus it is with the HRC and its efforts to restore the Clarkson Stanfield album, one of the most remarkable volumes in the history of art photography. More correctly known as “100 Calotypes by D. O. Hill, R.S.A., and R. Adamson,” the collection of over 100 salted paper prints was collated by the photographers for landscape artist Stanfield and depicts the lords, laborers, clergy, and scientists of 19th-century Scotland and the landscapes in which they lived. Currently undergoing repairs, the center staff are using its deconstructed state to display 39 plates, along with more works from Hill and Adamson, as separate works since the first time they were bound. – Richard Whittaker

This local treasure of a venue, run by those Contemporary Austin folks who also bring us the Jones Center shows Downtown, is all about the outdoors – which is perfect for these trickily navigated times of ours, n'est-ce pas? Recommended: Stop by and breathe in the air, enjoy the lawns and gardens and the many examples of world-class sculpture arrayed across the property, and (as Frankie used to say) r-e-l-a-x.

Use your smartphone to access self-guided tours of the outdoor public art sited by UT's award-winning Landmarks program any time you feel like it. BONUS: There's also a free, docent-led tour starting at Marc Quinn's "Spiral of the Galaxy" (1501 Red River) on Sun., Jan. 8, 11am.

Enter the fascinating world of illusions in this new venue that boasts a stunning array of intriguing visual, sensory, and educational experiences among new, unexplored optical wonderments.

The diverse lineup of hilarious, always surprising improv shows continues, with Pgraph and Maestro and the Big Bash and more, for the most unexpected delights of in-person entertainment.

What was missing from the original Wizard of Oz movie? Not ruby slippers, or weird death-related on-set mythologies, but in-world political intrigue, discussions of oppression, and a sex club with a tiger. Gregory MacGuire’s 1995 novel added those elements in with the crimson clogs to make an Oz lore twisty enough to grab the attention of Broadway bigwigs, who then made a musical of the same name. Strangely, they took out the tiger sex club, but added in songs that launched not one but two megastars in Kristin Chenoweth and the wi-cked-ly talented Idina Menzel. Catch the musical’s run in Austin before the big-screen adaptation pops up in November, and join the elite class who can say “Pfft. I liked it better in the theatre.” – James Scott