So the season of giving is almost over, and you suddenly realize that you left a vital aunt, cousin, or dentist off your list. What’s to be done? Rather than raiding the auto spare-parts aisle at your local gas station and gift-wrapping some radiator hoses, why not invest in a crowdfunded, Austin-based project on their behalf?

The Conway Curve is a locally produced relationship comedy about sweet-natured heiress Natalie and her shiftless brother Luke. It’s an ambitious pitch, with the producers hoping to raise $95,000 by New Year’s Eve, and you can help through their Indiegogo page.

There’s less humor to be found in The Quantum Terror: A Lovecraftian Love Story. The film will rely heavily on practical effects, including some provided by a local competitor on SyFy’s makeup-effects reality show Face/Off, Jenna Green. Their eldritch aim is to conjure up $5,000 by Jan. 2, and you can help them through their Kickstarter page, or find more about the project at www.facebook.com/quantumterror.

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For something a little more family-friendly, there’s Miles and the Monster, a tale of a young boy, his father, and the strange creature that lives in their backyard. Their Kickstarter campaign is within easy reaching distance of their $2,500 goal, and what could be a better gift for the film-loving kid in your family than being part of getting a real movie made?


One in a Crowd is a series intended to showcase Texas film and tech projects that are crowdfunding their way to a goal, be it distribution, a prototype, or production costs. If you have a project that we should know about, email us at filmflam@austinchronicle.com.

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

The Chronicle's first Culture Desk editor, Richard has reported on Austin's growing film production and appreciation scene for over a decade. A graduate of the universities of York, Stirling, and UT-Austin, a Rotten Tomatoes certified critic, and eight-time Best of Austin winner, he's currently at work on two books and a play.