Posted inFilm Review
The Invite Review: Plays With Knives
Olivia Wilde directs and stars in a cutting sex comedy
Screens
Posted inScreens
A Night of Nobelity With the Pipkins
Filmmakers-turned-philanthropists Christy and Turk Pipkin take their education nonprofit into the future
Posted inFilm Review
Maddie’s Secret Review: Obnoxious Comedy May Leave You a Little Sick
John Early’s spoof of the 1980s movie-of-the-week genre is self-indulgent and ill-considered
Posted inScreens
Revealing Maddie’s Secret With Writer/Director John Early
The first-time filmmaker on his inspirations and typing through the tears
Posted inScreens
Learning to Pivot: New Documentary Looks at Austin Restaurants During COVID
First-time filmmaker David Liu examines what life in lockdown tells us about eating out
Posted inScreens
Alamo Drafthouse Launches New Program to Get Festival Films Back in Theatres
Butthole Surfers documentary will be first Alamo Exclusives title
Posted inFilm Review
Minions & Monsters Review: Little Yellow Man With a Movie Camera
Despite a cute silent film-era setting, animated prequel’s nonstop mayhem reaps diminishing returns
Posted inFilm Review
Supergirl Review: Hero With a Hangover
Milly Alcock easily carries the weight of this sci-fi-tinged superhero flick
Posted inScreens
Apple TV Announces Debut Date for McConaughey and Harrelson’s Austin-Made Metafictional Comedy
Locally shot series Brothers will hit streaming service in September
Posted inFilm Review
Leviticus Review: Nowhere to Run in a Small Town
Australian queer horror depends on strong performances and a powerful metaphor
Posted inFilm Review
The Death of Robin Hood Review: The Weight of Being a Legend
Hugh Jackman treads a new path for the outlaw to become a hero
Posted inScreens
Black Auteur Film Festival Builds on Community
Austin’s only Black film festival returns to AFS Cinema with stories of identity and belonging
