Now that the Eighties New Wave revival is winding down, time to jump back to the first half of the next decade. Austin’s Economy Island unabashedly mines the sound of the early Nineties, when college rock evolved into alternative and that term hadn’t yet become a marketing gimmick and radio format. Made up, like so many homegrown alt-rock acts, of musicians from punk backgrounds (including Bum Out, SpiderCobra, and Adults), EI stamps bristling energy and DIY ethics into vinyl revolving around warm distortion, hazy vocal melodies, and guitar hooks of easy virtue. Chunky power-pop tunes à la “Keychain” and “The Mountain” dominate, taking advantage of singer Richi Fatheree’s reedy winsomeness and the yin/yang of his and John Christoffel’s guitar work. The latter finds fullest flower on “Typically Weak,” an extended take on alternative rock tunefulness that features plenty of six-string magic without flash or fury.

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Michael Toland started writing about music in 1988 on the Gulf Coast, moved to Austin in early 1991, and has inflicted bylines upon the corporeal and digital pages of Pop Culture Press, The Big Takeover, Blurt, Amplifier, Austin.citysearch, the Austin American Statesman, Goldmine, Sleazegrinder, Rock & Roll Globe, High Bias, FHT Music Notes, and, since 2011, The Austin Chronicle.