November 25 • 2016

Nov 25 - Dec 1, 2016 / Vol. 36 / No. 13

Mr. Smarty Pants Knows

Socks are the most requested clothing item at homeless shelters. To be hygienic, they have to be new. The Ghent Altarpiece, also known as The Adoration of the Mystic Lamb, is the most stolen work of art in history. In its entirety or in part, it has been stolen seven times, and has been at…

Texas Platters

William Clark Green strikes while the iron’s hot. Capitalizing on the Top 20 country charts success of last year’s fourth LP Ringling Road, the rising Texas kicker doubles down with a 2-CD performance recorded at historic New Braunfels honky-tonk Gruene Hall. WCG delivers best live, the raucous crowd feeding his backing quartet, which roars a…

Quote of the Week

“We can’t normalize [Trump’s] hateful rhetoric … instead of condemning bigotry, he has given it an office in the West Wing.” – District 2 CM Delia Garza at the Law Enforcement, Immigration, and Community Safety Concerns press conference on Thursday, Nov. 17

Texas Platters

Elijah Ford & the Bloom As You Were (Nine Mile) Marc Ford & the Neptune Blues Club The Vulture Getting his professional start locally with Ryan Bingham, Elijah Ford, son of onetime Black Crowes axe slinger Marc Ford, doesn’t follow in his former employer’s roots-soaked footsteps on his second album. California-born/Austin-based, the singer-guitarist favors pop…

Texas Platters

Vermonter Azarian and Dallasite Johnston’s richly textured strain of songwriting first emerged when the two performed together in the Orange Mothers. Since then, the Austin duo have whittled ever closer to the essence of emotions that words usually fail to capture. Whether transmuting a sense of well-being or of queasy foreboding, the primary characteristic of…

Texas Platters

Digital diaspora driving consensus into extinction alongside most major record labels, KGSR’s once branding “sound of our town” slogan becomes harder and harder to define as the new millennium rockets by. Younger but ancient of soul, folk-based yet beat driven, keening and intimate concurrently, the station’s sound of 2016 splays seeds of tomorrow over 33…

Chronicle Endorsements

The Chronicle editorial board offers the following endorsements for the Dec. 13 General Election run-off. In all three races, we repeat our picks from the first round. See lots more coverage at austinchronicle.com/elections. Austin City Council District 10: Alison Alter. Alter, a philanthropic adviser, enters the run-off having taken 35.5% of the vote in last…

Texas Platters

Swirling Latin funk into Black Sabbath’s dark arts distortion sounds like a gimmick, but Brownout channeling the British outfit by appending its Afro-Latin psychedelia on Brownout Presents Brown Sabbath Vol. II succeeds like scant few other unholy alliances. Reworking Ozzy Osbourne and company’s genre-birthing doom, Brownout’s initial stab at the Sabs appeared in 2014, a…

Page Two: This Too Shall Pass, Or … Ain’t Got Time for That Now

Long confident that the Constitution was smarter than us all, that its deep faith in the people would prevail, even when previous elections seemed disastrous, the feeling was “this too shall pass.” But as never before, despair overrides any belief, as I host a real terror about Trump’s presidency. Calmer voices chide us for such…

Texas Platters

“I don’t give a fuck about your cause or your sympathy!” roars Nekrist front-beast Teddow on “Without Scars.” Opening the local metal quartet’s six-song Criminal record, the track’s furiously downstroked riffs match sentiment to aggression. Despite low budget production, drummer Stevie drives the beat deep into the Earth with every hit, guitarist Massie squealing angrily…

Texas Platters

Unexpected collaboration making complete sense, local psychedelic rockers the Bright Light Social Hour meet local psychedelic roots rocker Israel Nash for three songs addressing the toxic politics of undocumented immigrants. “Lupita” essays a couple looking for a better life and the hardships they endure over a soaring musical bed that makes it hard to tell…

Horns Fail to Wreak Havoc in Brooklyn

Shaka Smart has one of the youngest teams (and starting lineups) of any Power Five conference school, and yet the Texas program is expected to take a step forward. The agile No. 23 Texas Longhorns came into 2016-17 stacked with long and lean talent, equipped to run Smart’s vaunted “havoc” – a stifling, pit bull…

Texas Platters

Not in the Face isn’t dead, but Jonathan Terrell makes it increasingly difficult to miss his ATX rock duo given such continued singer-songwriter excellence. A piece with last year’s LP Past the Lights of Town, these four songs get under your skin. Lyrics thick with passion and soundscapes created by producer-guitarist John Evans, Color Me…

Soccer Watch

U.S.A. head coach Jurgen Klinsmann was fired on Monday, following the team’s dismal start to the final round of World Cup qualifying, losing at home to Mexico, and 0-4 at Costa Rica. And on Tuesday it was announced that U.S. Soccer president Sunil Gulati has hired LA Galaxy skipper Bruce Arena as the replacement. Arena…

Texas Platters

While most easily pigeonholed into the singer-songwriter slot, Walker Lukens continues defying categorization with this four-song release. When not creating noisy backdrops and playing carnival barker (“Jacket on Ya Shoulders”), the Austinite moves easily into Thin White Duke funk (“Lifted”). Slippery beats and hand claps on the near-gospel title track also show off Lukens’ forward…

Texas Platters

Blue Healer can’t help but be the best adult-contempo band in Austin’s underground. The trio, anchored by David Beck and Bryan Mammel of aborted Americana darlings Sons of Fathers, formed in daring concept: pop music via distorted upright bass and Reagan-era keyboards. Their smoothness, led by Beck’s smoky, lady-killer voice, results in soft rock, synth…

Texas Platters

Sunny dissonance, avant-garde pop, and playful instrumentation informs Smile’s warm sincerity. For an act still in its infancy, the Austin sixpiece demonstrates a remarkably clear idea of its identity on these six debut songs. Opener “All the Things” creeps into fullness, led by the airy harmonies of Annie Long and Mary Bryce, then spins off…

Texas Platters

Now that the Eighties New Wave revival is winding down, time to jump back to the first half of the next decade. Austin’s Economy Island unabashedly mines the sound of the early Nineties, when college rock evolved into alternative and that term hadn’t yet become a marketing gimmick and radio format. Made up, like so…

Texas Platters

Acquiring a more straightforward tack for round two, Austin duo Imperialists follows up its debut, the stormy alt-synth pop fusion Arrhythmia, with anthemic synth sweller Who Are You Afraid Of? Co-produced by renowned Austin producer Erik Wofford, the former Ghost of the Russian Empire members’ billowing harmonies and cloudy ambience remain from the first full-length.…

Headlines

City Council met Tuesday to officially canvass the results of the municipal election and set the District 10 run-off for Dec. 13. The next regular meeting is Dec. 1, when (among other things) they will confirm Asst. Chief Brian Manley as interim Austin Police Department Chief, in the wake of Chief Art Acevedo’s acceptance of…

Texas Platters

If Attic Ted was something you could eat, it would strike pie holes with the what-the-hell discombobulation of raw oysters and grape jelly. With a $20 Hammond chord organ serving as sonic fulcrum, the San Marcos collective warbles and groans like a living Rube Goldberg device hopped up on ergot alkaloids as they belch forth…

Texas Platters

Homegrown quintet with an impossibly cool pedigree – LeRoi Brothers, Crack Pipes, Hand of Glory, Poison 13, etc. – Churchwood twists America’s most venerable music form into shapes Delta denizens would never have imagined. Fourth LP Hex City keeps that faith, beginning with a mbira-like clutter, 12-string growl, and sociopolitical noirscape to “You Let the…

Texas Platters

Eighth disc in 32 years, TH&AH’s Time Has Shown Me has had ample time to craft an impressive scope and diversity. Barring “Seek Strike and Destroy” being a co-write with bassist Brad Fordham, every song’s a Broussard original, their variety of country and rock & roll styles assimilating into a uniquely Texan punkabilly stew. Powerhouse…


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