Credit: Photo by Luis Malagon

Graham Reynolds Ruins the Holidays

Friday 6 – Saturday 7, Rollins Studio Theatre

In the grand Christmas tradition of weird holiday music, composer, provocateur, and experimentalist Graham Reynolds has already savaged holiday music a half dozen times, taking your beloved favorites and turning them into moody, depression-triggering nightmares. He’s at it again for the seventh year, ready to curdle your eggnog, crumple your presents, and crack your candy canes. Reynolds usually ropes in guests from the Austin jazz scene to join the anti-fun; for this show, he’ll be accompanied by vibraphone sorceress Carolyn Trowbridge (Coke/Michel Sextet, the Azmaris). Watch one of Austin’s maverick geniuses jingle your bells in all the wrong ways.   – Michael Toland


Tomar & the FCs

Friday 6 – Saturday 7, C-Boy’s Heart & Soul

A calendar such as C-Boy’s December run waits maybe all year for a month like this. Not because the South Congress speakeasy sister to the Continental Club doesn‘t curate modern roots year-round. Once the hustle & bustle of roadshows die down, locals finally reconnect with homegrown heavyweights including soul sovereigns Tomar & the FCs. Alt (and queer) icon Tina Schlieske the night prior to this two-night run and Strat champ Jimmie Vaughan on New Year’s bookend 2024’s exit here, but only Tomar Williams will evoke Otis Redding. Throaty grit from the frontman and brass-fed R&B from the FCs jolts particularly deep and pulpy during the holiday season. “Merry Christmas, Baby.”   – Raoul Hernandez


A Charlie Brown Christmas

Saturday 7, Stateside at the Paramount

It’s not really Christmas without the piano-driven light jazz of Vince Guaraldi playing as Linus, Lucy, Peppermint Patty, Sally, Schroeder and, of course, everyone’s favorite blockhead find the true meaning of the season. Austin Chamber Music presents the trio of Michelle Schumann (piano), Utah Hamrick (bass), and David Sierra (drums) as they perform Guaraldi originals like the Charlie Brown theme as well as his arrangements of classics including Beethoven’s “Moonlight Sonata” and “O Tannenbaum.”   – Richard Whittaker


Wizard Rodeo 4

Saturday 7, Sam’s Town Point

It’s the most magical time of the year, which can only mean it’s time for the Wizard Rodeo once again. Now in its fourth year, the daylong fest at the east-of-Austin sandlot field ruminates amid various psychedelic roots and outsider sounds, anchored by founding artists Little Mazarn, Garrett T. Capps, and Jesse Ebaugh – the latter with his jazz-riffing Sahara Quartet. Headliners include Nina Ninastia, returning to music with the dark-gripped folk of Riderless Horse, and Will Johnson, haunting his new Sleuthed/Full Cuts EP. Jad Fair, A Hawk & a Hacksaw, and more also cast winter spells.   – Doug Freeman


Unanswered Questions

Saturday 7, Mozart’s Coffee House

Sometimes you’d rather go to bed early than enjoy a live jazz performance. Sometimes you’d just rather get to it first thing, preferably with a strong cup o’ joe in your hands. Mozart’s Coffee Roasters has you in mind for their series of weekend jazz concerts starting at 9am. Consisting of guitarist Matt Berger, bassist Chris Jones, and drummer Tom Raines, local trio and Monks Jazz veterans Unanswered Questions enliven your Saturday morning for a couple of hours with unique takes on originals and covers. Let this band’s swinging, funky, melodic punch send you fresh-faced back into the day.   – Michael Toland


Big Bill

KOOP’s Stronger Than Dirt 30th Anniversary With Big Bill, Sugar Shack, the Ugly Beats

Saturday 7, 13th Floor

Thirty years spinning raw garage and old-school punk records on community radio station KOOP: Scott Gardner’s been religiously filling our airwaves with the Mummies, the Motards, and all manner of lo-fi rock & roll every Saturday night. This weekend, we celebrate at the club named for Roky Erickson’s old mob, formerly Beerland – the natural habitat of countless local bands Gardner has championed. Taking the stage are three notable acts: local duo Big Bill, Houston’s long-running Sugar Shack, and Austin’s almost-as-long-running Ugly Beats.   – Tim Stegall


Home Is Here: A Concert for Casa Marianella

Monday 9, ACL Live at the Moody Theater

We’d be hard-pressed to choose just one Bible scripture about showing love and hospitality to strangers, and harder-pressed still to neatly summarize the immense contributions those strangers make in our society. Actions speak louder anyway, so A Concert for Casa Marianella played by the monumentally talented Patty Griffin, tireless musical multihyphenate Adrian Quesada (Black Pumas), indie titan Britt Daniel (Spoon), Nineties rock icons Fastball, psychedelic cumbia masters Money Chicha, and Uganda-to-Austin rising star Jon Muq says it best: Be kind. The show raises money for a new shelter, expanding services Casa has offered refugees since its 1986 founding.   – Christina Garcia


Credit: Photo by Jenny Lee Young

The Mountain Goats

Tuesday 10 – Wednesday 11, Antone’s

Admittedly, one of this writer’s favorite Texas albums is by a Californian – John Darnielle, the SoCal-raised songwriter behind prolific indie project the Mountain Goats. All Hail West Texas, that 2002 treasure trove of lo-fi guitar and character-driven storytelling, serves as an excellent entry point into the prolific group’s 22-album output. Vignettes of love and loss like “Blues in Dallas” and “Fall of the Star High School Running Back” show the group at their experimental best, with Darnielle’s nasal drawl pulling at the heartstrings of critics and precocious young music lovers alike.   – Genevieve Wood


O Holy Night: Candlelight Christmas Carols

Tuesday 10, ACL Live at the Moody Theater

Even the tiniest-hearted Grinch has gotta admit there are some real bangers in the Christmas carol catalog – “O Holy Night” being one of them. Fun fact: That one was a collab between an atheist and a Jew, leading to a decades-long ban by the French Catholic Church. But spiritual singer-songwriter Kira Fontana recognizes its beauty, and will bring a 30-piece orchestra with her to present a gift to the city: a free concert featuring “O Holy Night” and a host of other gorgeous carols given new life and dimension.   – Kat McNevins


Ben Folds

Wednesday 11, ACL Live

Winston-Salem, N.C.-born musician (and occasional actor) Ben Folds first came into the national zeitgeist with top 40 single “Brick,” off the Ben Folds Five’s jazz-inflected alt-rock second album Whatever and Ever Amen. His best mainstream solo effort, 2001’s Rockin’ the Suburbs, found Folds temporarily sidelining the failed chamber pop effort of BFF’s breakup-inducing 1999 release The Unauthorized Biography of Reinhold Messner. He’s had a momentous last couple of years, still in the chamber pop/jazz piano pool with 2023’s anxious but rewarding What Matters Most. But Folds is now hawking a super fun Christmas record, 2024’s Sleigher, just in time for the cold weather.   – Kahron Spearman


Credit: Photo by John Anderson

Urban Heat

Thursday 12, Elysium

“I’m conscious of the positive effect that our darker music has had on people,” Jonathan Horstmann told the Chronicle in a 2023 cover story. The previous year’s still-fresh debut EP Wellness prompted a whirlwind of press, pomp, and promotion for Austin trio Urban Heat. This summer’s full-length bow The Tower delivered on all that promise. New Wave electro-goth and synth soul, the album quivers with millennial jitters even as Horstmann’s thick, rich, omniscient intonation soothes our red-hot unease. Bassist Paxel Foley and instrumental backbone Kevin Naquin complete the triumvirate at ATX’s leather-n-mascara HQ with support from Art Versus Industry and Night Ritualz.   – Raoul Hernandez


Wavemakers Christmas Concert

Thursday 12, 04 Center

In 2023, Lurleen Ladd founded Wavemakers as a community to support female artists over 40 within the music scene, looking to create new opportunities and reset industry standards. Wavemakers’ holiday show features Ladd’s soulful pop grooves joined by three songwriters with standout albums over the past year: Suzanna Choffel’s eclectically mesmerizing Bird by Bird; Wendy Colonna’s powerful and searching Paradigms; and Erin Ivey’s new country-tuned Souvenir. With an all-star backing band, the quartet harmonizes across holiday favorites and their own seasonal tunes, while a market showcases crafts and merch from other local women artists.   – Doug Freeman



Music Notes

by Derek Udensi
MAVI Credit: Courtesy of Resound Presents

MAVI

Thursday 5, Parish

A maestro of crafting lyrical beauty from the uncomfortable depths of no-frills introspection, the Charlotte-bred MC continued his streak of great rap projects with the raw August album shadowbox. His third full-length showcases its protagonist, still just 25, attempting to untangle parts of himself as he further navigates complexities of life such as drugs. “Today my grandmother turn 80/ And I’m on three Percocets, I ain’t even ate yet,” he shockingly admits on “i’m so tired.” Rappers Ahmir and MESSIAH! support.

Spaceflight Records Fifth Anniversary

Friday 6, Radio/East

The prominent Austin-based nonprofit record label reaches the half-decade mark. Spaceflight signees Anastasia Hera and Nolan Potter’s Nightmare Band are on tap to perform. Hera recently released “Lo Que Quiera,” the first single from her upcoming album Way Outside. The Black Angels round out the evening’s proceedings.

Locuust

Thursday 12, Sahara Lounge

Rapper-producer Xóchitl Stauffer punctuated August with the release of her powerful debut full-length, Apparent Incoherence. She stars as her rap alias “Locuust” at this show also featuring Pelvis Wrestley and Lucía Beyond.


Want to see all of our listings broken down by day? Go to austinchronicle.com/calendar and see what’s happening now or in the coming week.

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Carys Anderson moved from Nowhere, DFW to Austin in 2017 to study journalism at the University of Texas. She began writing for The Austin Chronicle in 2021 and joined its full-time staff in 2023, where she covers music and culture.

As the Chronicle's Club Listings Editor, Derek compiles a weekly list of music events occurring across town. The University of Texas alum also writes about hip-hop as a contributor to the Music section.

San Francisco native Raoul Hernandez crossed the border into Texas on July 2, 1992, and began writing about music for the Chronicle that fall, debuting with an album review of Keith Richards’ Main Offender. By virtue of local show previews – first “Recommendeds,” now calendar picks – his writing’s appeared in almost every issue since 1993.

Doug Freeman has been writing for the Austin Chronicle since 2007, covering the arts and music scene in the city. He is originally from Virginia and earned his Masters Degree from the University of Texas. He is also co-editor of The Austin Chronicle Music Anthology, published by UT Press.

Michael Toland started writing about music in 1988 on the Gulf Coast, moved to Austin in early 1991, and has inflicted bylines upon the corporeal and digital pages of Pop Culture Press, The Big Takeover, Blurt, Amplifier, Austin.citysearch, the Austin American Statesman, Goldmine, Sleazegrinder, Rock & Roll Globe, High Bias, FHT Music Notes, and, since 2011, The Austin Chronicle.

The Chronicle's first Culture Desk editor, Richard has reported on Austin's growing film production and appreciation scene for over a decade. A graduate of the universities of York, Stirling, and UT-Austin, a Rotten Tomatoes certified critic, and eight-time Best of Austin winner, he's currently at work on two books and a play.

Tim Stegall contributed to The Austin Chronicle 1991-1995, and was a staff writer 1995-1997. He returned as a contributor in 2013. He has also freelanced for publications ranging from Flipside to Alternative Press to Guitar World. He plays punk rock guitar and sings in the Hormones.

Kat grew up in Dallas and got to Austin as soon as she could, attending UT and sticking around afterward like so many Austinites. She started at the Chronicle as a proofreader in 2015, and became an events listings editor in 2020, covering community events, film screenings, summer camps, sports, and more.

Kahron Spearman is a journalist and writer with bylines including The Austin Chronicle, Austin Monthly, Consequence of Sound, Texas Highways, and the London-based journal The Break-Down. He currently serves as Senior Editor at Atmosphere TV.