November 29 • 2019

Nov 29 - Dec 5, 2019 / Vol. 39 / No. 13

Fall Platters

East Austin’s Quinlan McAfee, 18, continues where he left off on last November’s explosive debut mixtape Stain or Starve. Now backed by Elliott Grainge’s label TenThousand Projects (home to rappers Tekashi 6ix9ine and Trippie Redd), one of the city’s brightest rhymers cheerily brags and admonishes throughout sophomore mixtape 4NUN. The 10-track, 26-minute project contains four…

Fall Platters

Luxurious full-length debut from Austin “boogie/modern funk” outfit the Vapor Caves – vocalist Yadira Brown (Keeper, 10yr, Lax) and producer BoomBaptist (Andrew Thaggard) – Feel Yourself carries on with a devilish wink, a crooked smile, and delicious basslines. Taking inspiration from Seventies/Eighties proto electro-funk acts Roger Troutman and Zapp, Mtume, and Slave, Thaggard employs his…

Soocer Watch

Another big piece in place this week for Austin FC, as Claudio Reyna announced Thursday (Nov. 21) that he was leaving his job as the only sporting director New York City FC has ever had “to accept the exciting opportunity to once again be part of an expansion club.” Reyna’s credentials are impeccable: A longtime…

Headlines

No Voting Here: University Democrats, Austin Young Democrats, the Texas College Democrats, and others announced a federal lawsuit Tuesday against the 2019 Legislature’s prohibition on temporary mobile voting locations, which meant the closing of roaming sites that helped folks like students, the elderly, and those with limited means of transportation. In October, the Texas Democratic…

Fall Platters

David Longoria’s Longriver ripples music that you sink into. Like his previous outfit the Black, Bob Dylan serves as unavoidable touchstone in Longoria’s nasal twinge and hard harmonica riffs, but whereas his former band oriented toward rootsy garage rock, Longriver slips into contemplative folk. Easing rolling opener “When the Ark was Building Noah” and the…

Quote of the Week

“God uses imperfect people through history. King David wasn’t perfect. Saul wasn’t perfect. Solomon wasn’t perfect.” – Our own former Gov. Rick Perry, providing some context for his claim that Donald Trump is “the chosen one” ordained by God to be president.

Fall Platters

Montopolis’ stirring The Legend of Big Bend is original music that stands alone, while remaining part of a broader visual project wherein filmmaker David Barrow shot hours of footage with Big Bend as his subject, documenting its details and telling its secrets in a ruggedly sumptuous time-lapse video. Bandleader Justin Sherburn and visual artist Emily…

Mr. Smarty Pants Knows

Fully 7% of global CO2 emissions are due to cement production. Legend has it that the Queen Mary was supposed to be named the Queen Victoria, but when a Cunard executive told George V that their latest ocean liner was to be named for “the greatest English queen,” the king assumed they were speaking of…

Fall Platters

After seemingly packing up their guitar and drums despite the popularity of lone 2011 LP Bikini, Not in the Face surprised local fanatics with Phase this fall. The dynamic duo of suave cowboy Jonathan Terrell and hard-hitting beat-keeper Wes Cargal returns precisely to form with their quartet on gutter slick anthems of bad love and…

Fall Platters

Behind 2017’s self-titled debut, Hans Gruber & the Die Hards – spastic vocalist TJ Robinson, drummer Chris Thompson, bassist/trombonist Kurt Armstrong, guitarist/trumpeter/keyboardist Hans Emanuelson, and tenor saxophonist/co-vocalist Rosey Armstrong – bridged the chasms between hardcore, punk, pop, and ska. With the second in what will apparently be a numerical series of full-lengths, these skacore wiseguys…

Fall Platters

The debut album from Nolan Potter’s Nightmare Band sounds like a long-lost private press from the early Seventies. Analog production warmth, breathy harmonies, and a guileless fusion of gnarly guitar riffs, old-fashioned synthesizers, and flute riffs hearken back to a time when psychedelia evolved into progressive rock. Only some keyboards and cheeky titles like “Singing…

Fall Platters

“Rocket 88” is Ike Turner’s contribution to the birth of rock & roll. Then there’s the Roland TR-808 Rhythm Composer, the first programmable drum machine that wound up driving Eighties albums from Marvin Gaye’s “Sexual Healing” to all manner of early hip-hop classics. Once you dig the etymology of local garage genius John Schooley’s latest…

Fall Platters

Veteran jazz trumpeter Jeff Lofton demonstrates his versatility and range at every breath. “You Blues You Lose” looks back to Kind of Blue-era Miles Davis, while “NOLA Beat” employs a funky N’awlins groove. Even when the punches aren’t telegraphed, the program shifts plenty of gears. The Austinite’s cover of “What a Little Moonlight Can Do”…

Fall Platters

Tugged by a through line of reliable, nod-along melodies, Austin tag team Charlie Martin and Will Taylor open windows on their third LP. Where past works enshroud in a bedroom hum, indie-pop clarity clears the hazy Hovvdy headspace on Heavy Lifter. Brighter compositions match the lyrical demands of more specified storytelling, most vividly on piano-led…

Fall Platters

Susan Gibson’s songwriting doesn’t pull any punches. Hook-laden and emotionally sharp, the Wimberley songwriter’s first full-length of new songs since 2011’s Tightrope delivers the kind of character portraits and narratives that elevated her “Wide Open Spaces” to Dixie Chicks-level success. The real treat of The Hard Stuff is the range of melody beyond most singer-songwriters,…

Fall Platters

Madi Meeks’ 2018 debut EP pulled heavily from country-tinged singer-songwriter arrangements to prop up delicate melodies. Keyboards and punchy pop grounds her eponymous follow-up LP, a sharp departure in tone, but her precocious alto still gets top billing. Over 10 moody tracks, Madi Meeks demonstrates a natural ability to let understated verses swell to radio-ready…

Fall Platters

Simultaneously released with the sparser Fair-Weather Friends, Tex Smith’s Kinfolk mines an earnest core, whether in the restless “Traveling Tune” and “Now It’s Time to Go” or the soothing ode to his late producer Seth Gibbs on the title track. The song wrangler’s voice flows direct and tender, from the Johnny Cash-touched “Old Paper Bags”…

Fall Platters

Jeremy Nail conducts massive power through the smallest sparks. Third LP in four years, Ghost follows last year’s calmingly defiant Live Oak with his comfort-wrapped, understated vocals and patient arrangements, yet lifts with an overall brighter, more hopeful outlook. From the meditative musings of the full moon floating over “Clarksville” to the heavy exhale of…

Fall Platters

Space cowboy Garrett T. Capps builds upon last year’s In the Shadows (Again) by expanding his San Antonio brand of cosmic country. The second installment of a purported trilogy kicks out from the dance halls for more hard-driving and hard-twanged ballads. Electric guitar swirls “Sunday Sun,” while “A Beauty in the Horizon” rambles affectionately. Jamie…

Fall Platters

Over the course of seven albums and nearly 25 years, Austin trio Fastball has created timeless playful rock constructions that fit into the musical landscape just as easily today as they did in 1995. The hitmakers’ second album in two years, The Help Machine delivers on that ability once again with big, rock-ready flourishes slicked…

Fall Platters

Crooning and swooning, Christine Smith’s piano ballads deliver a winking and weary cabaret pop, melancholy without melodrama. From the light touch of “You Can’t Hurt Me Anymore” and “Feels Like Yesterday” to the dark, fiery “Trying Not to Fall in Love” and swelling bittersweet title track, the local singer crafts her own binding for the…

Fall Platters

Schoolteacher, singer-songwriter/guitarist, assemblage artist Larry Seaman announced his local entry into music via the Farfisa-flavored Standing Waves, the most definitively New Wave of all the Raul’s-era acts. His edgy sensibility has sharpened over time through a series of bands (Last Straw, Violet Crown, Seaman’s Quartet), leading to this solo work. Varying shades of guitar rock…

Fall Platters

On his debut solo long-player, the co-founder of extended moodmakers Balmorhea paints an insulated picture of shadows as underlit as the mysterious album cover’s midnight mountain by Awoiska van der Molen. Muller tames tapes from his recent peregrinations to trace the route of Lower River, an Ambien union of intercontinental field recordings and Austin studio…

Fall Platters

Known for raucous live performances, Casio porn-punks Hug find a home on vinyl for the first time in their now-infrequent two-plus decades of existence. Curated by local percussionist and experimental stalwart Thor Harris for Joyful Noise’s White Label Series (he joins fellow 2019 curators St. Vincent and Thurston Moore), the compilation pulls in 11 of…


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