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July Is Crime Month

Maybe it’s the murderous heat that bumps off our better angels, but something about summer brings out the outlaw in the Chronicle crew. Thus, we’ve decided July is Crime Month, and for four weeks, our writers and editors will be toasting the unlawful with reviews of recent crime fiction and nonfiction; interviews with authors in…

Damsel

Austin’s Zellner brothers head out to demolish myths of the Old West with Robert Pattinson

Texas Platters

After nearly a decade in Germany, Tish Hinojosa returned to Austin mending heartbreak on 2013’s After the Fair. Now, West flashes the promise of a songwriter fêted among the best and brightest locally during the Nineties. Her voice luminescent, emotive, and strong in tenderly constructed tunes, Hinojosa’s songcraft likewise regains its peak luster on the…

Texas Platters

Marcia Ball’s fingers spark a party when they touch the keys. Shine Bright is a revel in tough times, the 2018 Texas State Musician of the Year as ever digging into her New Orleans roots for rousing grooves and anthemic declarations. Sax blasts against her incomparable piano boogies, but her vocal range constraints remain and…

Mr. Smarty Pants Knows

According to BBC, Japan alone accounts for around 20% of earthquakes worldwide with a magnitude 6.0 or greater. Since George Washington’s second inaugural address, the shortest U.S. presidential inaugural speech so far was FDR’s 1945 speech, which lasted about five minutes. When the federal food stamp program was restarted on May 19, 1961, after the…

Texas Platters

If the artwork of Wilson Marks’ sophomore LP doesn’t signal the uncanny, haunting contortions of Peregrine, opener “Save the Nest” sets the tone. The local jazz marksman takes a folkier turn, resulting in a collision of Nick Drake with Ralph White on “Couldn’t Drain the Devil,” his patient, nasal vocals floating in sustain atop twisted…

Texas Platters

Born in Illinois 12 years ago, then moving to Austin in 2009, melodic brat punks the Butts soon found themselves playing many a night at Headhunters. If you barely listened to their second CD, you might mistake this for the pop-punk specialized by Blink-182 or Sum 41. Yet their rowdy spirit and boozy snottiness breaks…

Headlines

City Council returns today for its final meeting before the summer break, with 130 Items, including action on the $816 million November bond (potentially still growing), the potential for soccer at McKalla Place, and economic incentives. See “Council’s Last Licks,” June 29. Austin Public Health reported this week on the sad state of the Austin…

Texas Platters

Since relocating to Austin in 1990 at the age of 18, Eric Hisaw’s steadily perfected his self-proclaimed “roadhouse rock” and Southwestern noir songwriting. That world remains filled with desperate, tenderhearted characters living in filthy motel rooms reeking of booze, sweat, and stale cigarette smoke, while trying to scrape together enough change for one last phone…

Texas Platters

After a pair of mold-breakers and a live disc, what’s next for the Sword? More experimentation? Back to basics? In the case of Austin’s onetime metallurgists, both. Sixth album Used Future revs up behind “Deadly Nightshade,” an ass-kicking rocker showcasing the local quartet at its bombastic best. Alas, the Sword doesn’t stay in its wheelhouse.…

Texas Platters

Paul Cauthen’s 2016 solo debut, My Gospel, introduced the towering Texan’s booming baritone, cutting between Waylon Jennings’ rollicking power and Elvis Presley’s trembling croon. New extended-play Have Mercy arrives as a necessary holdover, but not without evolution. First of seven new songs, “Everybody Walkin’ This Land” summons Johnny Cash in a God-fearing anthem, yet with…

Texas Platters

Bob Livingston helped define Austin’s progressive country sound in the Seventies, but the Lost Gonzo Band co-founder has done his best work this century. On 2003’s Mahatma Gandhi & Sitting Bull and 2011’s Gypsy Alibi, Livingston unrolled an increasingly eclectic and far-reaching sound while remaining true to his Lubbock songwriter roots and soothing tenor. The…

Texas Platters

Having hopped around the country prior to their current Austin abode, husband-and-wife duo the Watters pay tribute to their geographic and musical ventures on a sophomore release. Opener “I Need You” launches their immediately familiar feel-good, big-band, old-school assembly. A sevenpiece setup of bright horns (lent by the Shinyribs crew) and generally groovy aesthetics cushion…


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