February 24 • 2017

Feb 24 - Mar 2, 2017 / Vol. 36 / No. 26

Cover Stories

Texas Platters

Combining projects into something of an experimental double EP, the ambient-tech Damase (Jeff Bye) and flowing synthesis of Manican Dream (Bye and Nathaniel Earl) assembles a digestible and diverse local sampler. Manican’s side A and lone track, “Chaos Is,” builds and folds over itself, swimming in boiling clangs that give way to agitated string strums…

Soccer Watch

The big news out of England this week: Wayne Shaw – 45-year-old, 280-pound backup goalkeeper for semi-pro team Sutton United – was caught on TV eating a meat pie during the second half of his team’s unlikely, nationally televised FA Cup match against Arsenal. Shaw was forced to quit the team the next day: Turns…

Headlines

No regular City Council meeting this week, although members received an update briefing on CodeNEXT Wednesday afternoon (“zoning and process regulations”), and some are busy with public events. The next regular meeting, Thurs­day, March 2, will include a heavy zoning agenda, including the return of the Austin Oaks PUD. A historic settlement last week: Council…

Mr. Smarty Pants Knows

The longest rubber band chain measured at 10,855.6 feet not stretched, and was achieved by Pavitra Patro in Gujarat, India, on May 31, 2016. The coin-operated newspaper box was invented in 1947 by George Hemmeter. In the newspaper box heyday, Kaspar Wire Works in Shiner, Texas, dominated the U.S. market for manufacturing them. With newspaper…

Texas Platters

Funny how we remember music: Emotionally, not literally. First blush of the Southerly Crock-Pot that is I Got Your Medicine – Sun Records, Mardi Gras, South Austin – sepias Shinyribs’ three previous albums as raunchy Golden Triangle clambakes. Revisit the kitchen powwow of 2010’s Well After Awhile (“Poor People’s Store”), Lucinda Williams’ funnest album never…

Texas Platters

More than a decade after Adam Torres achieved cult status in small town Athens, Ohio, through 2006 solo debut Nostra Nova, the now local troubadour continues harking back to deeply intimate and rural Americana on I Came to Sing the Song. While the full-length gleaned pop, the new four-track EP serves as an extension of…

Texas Platters

Clearly besotted with pre-millennial sounds from the UK underground, local shoegazers Black Books soaks in sonic storms and dream-pop psychedelia on their long-awaited second LP, Can’t Even. Rather than raid its record collection like overeager fan boys, the Austin sextet employs its influences with precision. Gary Numan-esque synthesizer preludes, hooks borrowed from the Verve, and…

Texas Platters

Exceptional artistry built Curtis McMurtry’s DNA, but those coming to this local songcraft with expectations based on his famous relations are in for a shock. The Hornet’s Nest, his second album, finds him erecting a very large tent around what passes for American music and utilizing it to tell inventive stories of everyday life. Most…

Texas Platters

Ten full-lengths into a nearly 20-year career as a monolith of punk rock blues, Austin’s Scott H. Biram hardly follows a formula. Rural as hell, urban in attitude, lonesome/orn’ry/mean, The Bad Testament is a primer in sin and redemption, hard love gone wrong, and blues and country influences pushed to nasty extremes. There’s plenty of…

Texas Platters

Ahead of next month’s first new Knife in the Water release in 14 years, Super Secret Records’ reissue imprint Sonic Surgery waxes the local quintet’s 1998 debut back into print and onto turntables. A wandering, lonesome album, Plays One Sound remains ethereal, understated avant-garde, and noirish, laden with church organ bleakness and the country twang…

Texas Platters

Need a soundtrack to the coming apocalypse? Gurf Morlix has what you’re looking for. The Soul & the Heal, his ninth album, finds the veteran Austin guitarist and singer-songwriter in a typically dark mood, yet also offers the occasional glimmer of hope and love. As in the past, he takes cues from his good friend…

Texas Platters

A clean-cut collection featuring the Korg KR-55 drum machine, MF064 catches Austin’s analog synth quartet Survive in the midst of evolution. Returning to print a 2014 EP, released well prior to half the band garnering Grammy nominations for two volumes of the Stranger Things soundtrack, homegrown arts hub Monofonus facilitates an ideal rising tide that…

Texas Platters

Meditative and fetching, Man, Woman, Friend, Computer delivers a breakup album and overarching concept: Thomas Echols’ electronic differentiation from his guitar projects. The Austin-based Echols has mostly cut his teeth on classical projects, such as Plainte Calme, his absorbing turn of Debussy and Messiaen. Here, he ventures into a complex amalgam of analog and synth.…


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