Author Archives



Tim Stegall

Tim Stegall contributed to The Austin Chronicle 1991-1995, and was a staff writer 1995-1997. He returned as a contributor in 2013. He has also freelanced for publications ranging from Flipside to Alternative Press to Guitar World. He plays punk rock guitar and sings in the Hormones.

390 articles   •   page 1 of 10

The Damn Times

Gotta Get There!

Music Review, Feb. 7, 2019

Free Week 2019 Is in the Rearview Mirror, but These Homegrown Standouts Aren't

10 local showcases that got us excited for what’s to come this year

Music Feature, Jan. 10, 2019

10 Free Week Acts to Watch This Weekend

Keep an eye out for these musicians in 2019

Music Feature, Jan. 3, 2019

Our Music Critics Pick Their Top 10 Austin Albums of 2018

80 local picks from Molly Burch to Brownout

Music Feature, Dec. 27, 2018

Best Live Music Performances of 2018

The bands and venues that kept our critics on their feet

Music Feature, Dec. 27, 2018

You Can’t Judge a Book by Its Cover

MC5 leader rolls five books into one

Music Feature, Dec. 20, 2018

Joe Strummer

Joe Strummer 001

Music Review, Dec. 6, 2018

Tom Petty

An American Treasure

Music Review, Dec. 6, 2018

Sniper 66 Conceptualize Austin's First Serial Killer

The street-punk vets tell the tale of the Servant Girl Annihilator

Music Feature, Nov. 21, 2018

The Byrds' Sweetheart of the Rodeo Turns 50

The landmark album spins at the Moody Theater via two of its makers and their virtuosic friends

Music Feature, Nov. 8, 2018

The Crack Pipes

Fake Eyelashes

Music Review, Nov. 8, 2018

Texacala Jones

Pony Island Express

Music Review, Nov. 8, 2018

That Nasty Ol’ Johnny Rotten

Prince of the punks returns with PiL

Music Daily, Oct. 25, 2018 7:00 AM

Boz Scaggs Doesn't Mean to Be Argumentative

The Texan parses blues, R&B, and rock & roll ahead of two Austin shows

Music Feature, Oct. 18, 2018

Paul McCartney

Music Feature, Oct. 11, 2018



Music Feature, Oct. 11, 2018

The Revolution

Music Feature, Oct. 11, 2018

Talking Prince With Revolution Drummer Bobby Z

Purple punk, purple polka bands, purple pancakes

Music Daily, Oct. 10, 2018 3:13 PM

ACL Live Review: The Revolution

Prince has entered the quonset-like hut

Music Daily, Oct. 8, 2018 11:15 AM

ACL Live Review: Breeders

Alt-rock icons’ classic lineup delivers the cannonball

Music Daily, Oct. 7, 2018 10:15 AM

ACL Live Review: Paul McCartney

Beatle stomp

Music Daily, Oct. 6, 2018 1:07 PM

Asleep at the Wheel

New Routes

Music Feature, Oct. 4, 2018

ACL Fest Interview: The Revolution

Backing band honors the legacy of the Purple One

Music Feature, Oct. 4, 2018

Pick a Headliner: Paul McCartney vs. Metallica

We break down each act's stats so you can make an informed decision

Music Feature, Oct. 4, 2018

Alejandro Escovedo

The Crossing

Music Review, Sep. 27, 2018


A Prayer for War

Music Review, Sep. 27, 2018

Cordy Lavery


Music Review, Sep. 6, 2018

Nervous Exits

Get Out

Music Review, Aug. 23, 2018

Blowing the Dust Off Punk Record Collections

Jason Blackmore explores punk musicians' record collections in Records Collecting Dust II

Screens Feature, Aug. 16, 2018

Uncle Pie Hole

Uncle Pie Hole

Music Review, Aug. 9, 2018

Kathy & the Kilowatts

Premonition of Love

Music Review, Aug. 9, 2018

How Much Harder Can Skeleton Get?

They’re already the most savage specimen of homegrown hardcore

Music Feature, Jul. 26, 2018

Boy George’s New Life

Culture Club frontman relives the Seventies

Music Daily, Jul. 4, 2018 9:00 AM

Eric Hisaw Band

Street Lamp

Music Review, Jun. 28, 2018

The Butts

The Butts

Music Review, Jun. 28, 2018

Jesse Dayton

The Outsider

Music Review, Jun. 21, 2018

Pocket Fishrmen Serve up Punk and ... Fish

What to expect at the punk cutups’ annual Fish Fry

Music Feature, May. 31, 2018

Jason Boland & the Stragglers

Hard Times Are Relative

Music Review, May. 31, 2018

Unplugged: Lowering the Volume of the Live Music Capital

Ley Line, Aaron Stephens, Team Goodtimes, Uncle Pie Hole, and more grounded sounds

Music Feature, May. 17, 2018

Willie Nelson

Last Man Standing

Music Review, May. 10, 2018

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