Credit: Photo by Roger Ho / Courtesy of Levitation


Credit: Photo by Roger Ho / Courtesy of Levitation

Levitation Festival

Friday 26 – Sunday 28, Palmer Events Center

Pavement, Built to Spill, TV on the Radio, and Mastodon – Austin Psych Fest’s fall companion is sticking with longstanding headliners this year and switching up the rest of the setup. Ditching their Halloween weekend spot (don’t worry, Resound’s Halloween Freakend will take over) and moving from the streets of Downtown to the Palmer Events Center, Levitation 2025 promises the same rock-based lineup in new surroundings with highly anticipated acts like Wednesday, Unknown Mortal Orchestra, La Femme, and Model/Actriz plus a series of separately ticketed night shows featuring visits from Beach Fossils, Mdou Moctar, Teen Suicide, and more.   – Caroline Drew


Levitation Night Show: Boy Harsher, Martin Rev, Kumo 99

Thursday 25, Stubb’s

Boy Harsher conjures lust and isolation through sweat-slick synth minimalism, while Kumo 99 detonates rhythm and language with jungle breaks, punk noise, and raw erotic tension. But the main event at this Levitation after-hours blowout is 77-year-old Martin Rev – alongside the late Alan Vega, half of electro-punk pioneers Suicide. Vega performed Iggy Presley histrionics while Rev punished organ and drum machine through thermonuclear fuzz. Suicide played early bills with the New York Dolls and were the first band to call themselves punk, weeks after Lester Bangs coined the term for the Stooges in Creem. This is history. Act like you know.   – Tim Stegall


Credit: Photo by Heidi Stanton

HAIM

Friday 26, Moody Center

Half due to great music and half due to the allure of their sweet siblinghood, HAIM has gathered a steady following since 2012. There’s something incredibly wholesome and magnetic about three sisters (Danielle, Alana, and Este) making alt-rock together. While the Haim women are well known for their Taylor Swift collaborations (“no body, no crime” and “Gasoline”), they’re also Grammy-nominated on their own (Women In Music Pt. III and “The Steps”). More important than critical success, sugary hits of funk-pop – like viral single “Relationships,” off this summer’s I quit – suggest the trio place fun at the top of their music-making formula.   – Flora Belle Farr


Conspirare: To Be the Sun

Friday 26, St. Martin’s Lutheran Church

Calling Conspirare a choir feels far too restrictive, like calling Willie Nelson a country singer. Founder/director Craig Hella Johnson’s long-running chorale is too ambitious for such a designation. The Grammy-winning Austin ensemble’s latest project involves both a former Britpop keyboardist and a Nobel Prize winner. Composer Joby Talbot (formerly of Nineties Anglophile favorites the Divine Comedy) has set Mexican poet and Nobel laureate Octavio Paz’s epic work Sunstone to music, and who better to bring it to life than this multifaceted, fearless vocal collective? Conspirare is always at its best in a sanctuary, so expect a powerful experience. Marimba player Tom Burritt provides accompaniment.   – Michael Toland


Credit: Image via Bandcamp

Levitation Night Show: La Femme DJ Set With Marie Davidson

Saturday 27, Kingdom

It’s a good day for Francophones who are ready to hit the dance floor: French sevenpiece La Femme, known for their playful blend of surf-rock and yé-yé, will bring a deep crate of pop cuts that have served as their influences to their DJ set. Montreal musician and producer Marie Davidson comes with fresh material from 2025’s City of Clowns, a Y2K freakout in club hit form that has stood out as one of the strongest electronic albums of the year.   – Abby Johnston


Credit: Photo by Michael Romero

Levitation Night Show: Unknown Mortal Orchestra DJ Set With Improvement Movement

Saturday 27, 13th Floor

Having narrowly escaped Multi-Love’s polyamory-gone-wrong fate of being buried under Uchiko, Unknown Mortal Orchestra embraces Austin with a live performance at Levitation, followed by a late-night DJ set. The once-upbeat electro-disco group released a hauntingly arranged dungeon-dance EP this spring, appropriately titled CURSE, drenching their DJ intentions in an air of mystery. What’s certain is that the funk-pop trio will be joined by Improvement Movement, who are actually not the next NXIVM but a choral-inspired indie rock outfit from Atlanta, and whether the tracks are frightening or frisky, they’ll undoubtedly be groovy.   – Caroline Drew


Credit: Photo by Vanessa Heins

PUP and Jeff Rosenstock

Saturday 27, Radio/East

Not content to coast on nostalgia, PUP’s most recent pop-punk offering Who Will Look After the Dogs? features crackling guitar riffs, frenetic drums, and frontman Stefan Babcock’s perfectly untidy vocals. Despite their trademark lyrical self-deprecation, friendship and warmth shine through the band’s latest songs, setting the scene for an exceptionally chummy tour with DIY powerhouse Jeff Rosenstock and punk breakouts Ekko Astral. Catch the triple-threat rock bill this Saturday at Radio/East, and with any luck, you might see them all perform the tour’s signature noisy cover of Alanis Morissette’s “You Oughta Know.”   – Katie Hayes


Jess Ledbetter Credit: Image via Bandcamp

Lomax Legacy American Music Concert

Saturday 27, Oakwood Cemetery Chapel

In the walkable time capsule that is East Austin’s Oakwood Cemetery lies a modest headstone for John Avery Lomax and a small monument for his son, Alan Lomax – both folk archivists who changed the future of music by dignifying its regional past. At the turn of the 20th century, John A. studied and worked at UT, where he began documenting music scholars found unworthy. Alan, born in Austin, later joined him as they drove far and wide with a portable recording rig for the Library of Congress, documenting folk music like it was Homeric poetry. Austin now celebrates their legacy with a free concert in Oakwood’s intimate chapel featuring fitting performances by blues disciples Xavier Shannon and Matthew Brodnax, singer-songwriter Jess Ledbetter, and vibey cumbia maestro Kiko Villamizar.   – Kevin Curtin


Credit: Photo by Matthew Berinato

Lukas Nelson

Sunday 28 – Tuesday 30, Paramount Theatre

In many ways, this year’s American Romance feels like Lukas Nelson’s proper introduction. As his first real solo effort away from his longtime band Promise of the Real, Nelson and producer Shooter Jennings tone down the guitar jams in deference to a soulful country songwriting that leans into quieter moments of self-realization behind his gentle high twang and easy picking. The album pulls across a roadside vision of America and reaches for personal peace. East Texas native and American Idol finalist Laci Kaye Booth provides support with 2024 debut The Loneliest Girl in the World.   – Doug Freeman


Credit: Photo by Rachel Fleminger Hudson

Wolf Alice

Tuesday 30, Emo’s

If fairy pop-rock was an official genre, Wolf Alice are its fearless sleeper-leader. Casting spellbinding tunes since their 2013 debut single “Fluffy,” the English group has slowly gained more traction in the U.S. over the last decade, particularly with the ethereal 2017 single “Don’t Delete the Kisses.” Emo’s presents the perfect spot to see Wolf Alice before they’ve totally exploded. The quartet’s August album, The Clearing, may be their key to locking down international stardom; tracks like “Bloom Baby Bloom” and “Just Two Girls” are already some of their most popular ever.   – Flora Belle Farr


Credit: Photo by Chris Maggio

Alex G

Tuesday 30 – Wednesday 1, Stubb’s

The indie rock American Dream is alive in Alex Giannascoli. From his DIY Bandcamp offerings to his Domino days, the Philly songwriter issued eight albums in eight years in the 2010s and inspired an entire generation of pitch-shifting artists in his image – and plenty of TikToks featuring “Sarah” and “Mary,” too. This summer’s RCA-released Headlights marks Alex G’s 10th LP and first on a major label; though it trades his foundational lo-fi aesthetic for fuller, more mature Americana, Giannascoli’s stamp is unmistakable. Equally inimitable songwriter Nilüfer Yanya opens.   – Carys Anderson


Credit: Photo by The Trail Conservancy

Music on the Trail Series: PAACK

Wednesday 1, Rainey Street Trailhead Lawn

Over the last decade, Austin has really upped its parks game and added almost 100 new parks and 1,500 acres of parkland, including lots of new trailways. But at the heart of Austin will always be the Butler Trail, the 10-mile path along Lady Bird Lake, lovingly preserved with the help of the Trail Foundation. Bringing together music fans and outdoor enthusiasts, their Music on the Trail series offers a new artist each Wednesday in October to turn this lovely spot into a concert, starting with supergroup PAACK, a sisterhood started at C-Boy’s featuring Paige DeChausse, Andrea Magee, Violet Lea, Cari Hutson, and Kelly Green. Future editions include Me Nd Adam, N.O.A., Peterson Brothers, and Julie Nolen.   – Kat McNevins


Credit: Photo by Luke Rogers

ACL Fest Nights: Clover County

Thursday 2, Stubb’s

As the first leaves turn gold and swirl into the (90-degree) breeze, the season for fall yearning officially arrives. Clover County’s indie-folk carries a Southern drawl that feels dreamy and nostalgic, perfect for pining after a long-lost love. Cigarette smoke, cowgirl boots, candlelight – the turmoil of early-20s romance visualized in sound. With songwriter A.G. Schiano’s debut album Finer Things out Sept. 26, Austin gets one of her first live spins.   – Gianna Ivy


Zack Fox DJ Set

Thursday 2, the Concourse Project

Zack Fox does all the things, including stand-up comedy and, notably, acting on the sitcom Abbott Elementary. The Atlanta-born artist was also once a comedy rapper, known for tracks like “sipping my tea.” His spectacular kitchen-sink DJ sets are no joke. You’re going to get baile funk, house, ghettotech, juke, Miami bass, Jersey club, Nineties R&B, and other screwballs. His chaotic Elevator Music and Boiler Room sets, which are on YouTube, feature exceptional taste and shocking eclecticism – including a gospel praise break in the middle of his Boiler Room performance.   – Kahron Spearman



Music Notes

by Derek Udensi
Aminé Credit: Photo by Lucas Creighton

sriyam, Audrey Price

Friday 26, Amity’s

Hole in the Wall’s new coffee shop and late-night karaoke bar begins its all-ages Live @ Amity’s series with performances from bedroom pop singer-songwriter sriyam and Audrey Price. The music series will run on Fridays going forward.

Rock the Park

Friday 26, Mueller Lake Park Outdoor Amphitheater

KUTX starts the fall season of its free, family-friendly series with performances from sisterly band the Tiarras and Joe McDermott.

Batch Craft Beer + Kolaches Eighth Anniversary

Saturday 27, Batch Craft Beer + Kolaches

Head on over to Batch as the Eastside locale celebrates eight years of dishing out fresh kolaches, Texas-Czech pastries, and craft beer. The 2017 Best of Austin Critics Pick earner will also serve an all-day helping of live music, with Holly Frost and Violet Crown Affair among the scheduled performers.

Aminé

Tuesday 30, ACL Live at Moody Theater

Portland rapper Aminé – I still listen to hometown ode “Woodlawn” off 2020 album Limbo – has tackled more dance floor-ready grooves these past few years. His new full-length 13 Months of Sunshine contains lyrics about interning at Def Jam Recordings (“New Flower!”), an unexpected Waxahatchee feature (“History”), and a strong title track (“13MOS”).


Want to see all of our listings broken down by day? Go to austinchronicle.com/calendar and see what’s happening now or in the coming week.

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Carys Anderson moved from Nowhere, DFW to Austin in 2017 to study journalism at the University of Texas. She began writing for The Austin Chronicle in 2021 and joined its full-time staff in 2023, where she covers music and culture.

Kat grew up in Dallas and got to Austin as soon as she could, attending UT and sticking around afterward like so many Austinites. She started at the Chronicle as a proofreader in 2015, and became an events listings editor in 2020, covering community events, film screenings, summer camps, sports, and more.

As the Chronicle's Club Listings Editor, Derek compiles a weekly list of music events occurring across town. The University of Texas alum also writes about hip-hop as a contributor to the Music section.

Michael Toland started writing about music in 1988 on the Gulf Coast, moved to Austin in early 1991, and has inflicted bylines upon the corporeal and digital pages of Pop Culture Press, The Big Takeover, Blurt, Amplifier, Austin.citysearch, the Austin American Statesman, Goldmine, Sleazegrinder, Rock & Roll Globe, High Bias, FHT Music Notes, and, since 2011, The Austin Chronicle.

Doug Freeman has been writing for the Austin Chronicle since 2007, covering the arts and music scene in the city. He is originally from Virginia and earned his Masters Degree from the University of Texas. He is also co-editor of The Austin Chronicle Music Anthology, published by UT Press.

Tim Stegall contributed to The Austin Chronicle 1991-1995, and was a staff writer 1995-1997. He returned as a contributor in 2013. He has also freelanced for publications ranging from Flipside to Alternative Press to Guitar World. He plays punk rock guitar and sings in the Hormones.

Kahron Spearman is a journalist and writer with bylines including The Austin Chronicle, Austin Monthly, Consequence of Sound, Texas Highways, and the London-based journal The Break-Down. He currently serves as Senior Editor at Atmosphere TV.

Caroline is the Music and Culture staff writer and reporter, covering, well, music, books, and visual art for the Chronicle. She came to Austin by way of Portland, Oregon, drawn by the music scene and the warm weather.