Credit: Photo by Goodheart via Unsplash

Fossils & Flowers

Thursday 13, Texas Science & Natural History Museum

If you’re looking for a cool but nerdy way to celebrate life and love, pop into this pre-Valentine’s party offering unique fun and discovery. Beyond scoping out the museum’s fascinating exhibits and learning about prehistoric mating behavior, enjoy music in the Great Hall, a build-your-own-bouquet station, a Valentine card crafting station, and a Polaroid station, plus complimentary snacks and a cash bar. But the real pièce de résistance: the chance to name a UT Insect Collection butterfly after someone you love, or a roach after someone you don’t!   – Kat McNevins


Credit: Photo by Alexander Grey via Pexels

Hearts in All Conditions: Queer Poetry Night

Thursday 13, Birdhouse Books & Gifts

A little food for your soul before Valentine’s Day strikes, this little show is. Queer- and veteran-owned bookshop Birdhouse invites the literary loving out to their Burnet biblio-bastion to hear local published authors read their works aloud. After they’ve said their piece, an open-mic poetry jam follows where wordsmiths of all levels may speak their truth into the communal microphone. A suggestion from a guy who’s been to many a poetry slam? Write in a format – you know, sonnets, haikus, an acrostic, etc. – and you’ll stand out from the many, many freestyle poems native to the open-mic environment.   – James Scott


Austin ISD Information Meeting

Thursday 13, AISD Headquarters

Perhaps you look on opportunities to gain information about your local school district with ambivalence. That would be a mistake. Knowing stuff about schools, even the obscure, largely incomprehensible subjects like AISD’s scorecard, its budget reduction strategies, or its efforts to fix special education services, is the mark of a … hmmm. Okay, it’s the mark of a person with strong executive function. So we at the Chronicle implore you: Do not turn away from your opportunity to gain information at the board of trustees’ monthly meetings, no matter how long they may be (three to six hours, on average).   – Brant Bingamon


Laurie Gallardo Credit: Courtesy of Paramount Theatre

Dark & Lovely: An Evening of Unsettling Narrative

Thursday 13, State Theatre

Goth never goes out of style, even around Valentine’s Day. The dark-hearted are invited to join multi-Austin Music Award-winning deejay/host Laurie Gallardo for a spooky bedtime story told with more than a tinge of the macabre. To get you in the mood, Carrie Rodriguez and David Pulkingham will offer an instrumental amuse bouche before Gallardo shows you why her voice is so renowned. Come dressed to lurk in the shadows.   – James Renovitch


Hamlet

Thursday 13 – Saturday 15, Texas Spirit Theater

Actors From the London Stage, a long-running touring company, is currently on the road with Hamlet, one of William Shakespeare’s most popular (and lengthiest) plays. The Danish prince’s pensiveness is still relatable to anyone who’s ever questioned the meaning of life – which is just about all of us. Though the play has been iterated on since the 17th century, the company puts a unique spin on things, touring only five actors who take on multiple roles. This minimalist approach prioritizes performance, bringing characters to life through the Bard’s language, crafting an intimate, invigorating atmosphere.   – Mattea Gallaway


Meet Cute at the Bookshop

Friday 14, BookPeople

Remember last week when I mused on falling in love with a book versus a human person? (Reader, don’t tell me you haven’t been paying CLOSE attention to my every Calendar listing?!? I’ll simply sob if you say it’s so!) Well, those lovable lit mongers at BookPeople went a step further in linking the bibliological with blooming romance by organizing this peppy little Valentine’s party. Among the bookstacks you’ll find a flash tattoo pop-up from Cherry Pop Ink, a crafting station where you can write love notes to your favorite author, and special themed drinks at ye olde CoffeePeople. Take a look, Reader, because this kind of love can only be found in a Book … People, that is.   – James Scott


Credit: Photo by Tyler Whitman

Ventana Ballet’s Variations on a Love Theme

Friday 14 – Sunday 16, First Street Studio Theatre

Ventana’s movement-for-the-masses is already a guaranteed good time. But they up the ante during Valentine’s, teaming up with their ideological counterparts, the classical chamber music group Austin Camerata, to create an enchanting and enriching experience. A live string quartet accompanies Ventana dancers as they present eight love stories in an intimate setting. It’s immersive to the max: a mood that can’t be denied. Pre-game at their jazz lounge before the show, sipping “Love Potion” cocktails to get those romantic vibes flowing.   – Cat McCarrey


Don’t Phunk With My Heart: A Valentine’s 2000s Prom

Friday 14, Little Darlin’

Was there ever a shinier, sparklier era than Y2K? Break out your body glitter and revel in the pearlescence of the Aughts at this prom soundtracked by the music of a millennial youth, spun by DJ Jester. Dress to impress for awkward prom pics where the taller person has to stand behind the shorter one and touch their hips, but don’t worry if you’re dateless, because this one’s a traffic light party as well: Guests will be sporting glow sticks indicating their level of relationship availability, and it’s open to everyone, regardless of status, sexuality, or attachment style.   – Kat McNevins


Cruising

Friday 14, Hyperreal Film Club

Either you stand with the gay organizers contemporary to this William Friedkin fever dream in calling it an affront or you love watching Al Pacino sweat his way through a leather bar while stealing piss kink valor via a misplaced back-pocket hanky. Hard to imagine anyone with a middle-of-the-gay-bar opinion on this 1980 thriller, where Pacino plays a cop undercover in New York’s leather scene chasing a killer who’s been offing homosexuals. This presentation of Seventies NYC and all its sweet sweet dank as portrayed through Friedkin’s freaky film lens comes courtesy of local VCR cleaners Double Scorpio alongside your friendly neighborhood cinema sickos Hyperreal.   – James Scott


Love Bites: A Buffy Valentine’s Day Birthday Party

Friday 14, The Tiny Minotaur

“Fool for Love,” “Lovers Walk,” “Passion”: There are so many great episodes of Buffy the Vampire Slayer about romance – or, more accurately, about how our hearts really get us in the worst situations imaginable. My favorite of this trilogy is “Fool for Love,” a Spike origin story about how he became a vampire and killed two Slayers in his day, but this line from earlier episode “Lovers Walk” might be best for this Valentine’s Day/photographer Erika Rich birthday party doubleheader: “Love isn’t brains, children. It’s blood.” Pay five bucks to reminisce on all your favorite Buffy moments; karaoke and games included.   – Carys Anderson


Credit: Courtesy of Hannah Spector

break-up with me (hannah spector)

Friday 14, shedshows

Local artist/poet Hannah Spector will go breaking your heart. Or you can break theirs. It’s up to you. These break-ups are public, but only happen with consent. It’s Spector’s own Valentine’s tradition, a thrilling piece of public art now in its fifth year and fourth evolution. Starting as marathon sessions in a controlled environment, Spector’s LARP (Live Action Role-Play) art is now a walk-up, public interaction at shedshows. Former versions have featured scripts and safe words, empty boxes and glasses of water. Beyond that, there’s freedom. Join Spector’s emotional exploration.   – Cat McCarrey


Credit: Courtesy of Ballet Austin

Heart’s Desire

Friday 14 – Sunday 16, the Long Center

Enjoy a little cultural date with Ballet Austin for their Valentine’s show featuring three different dances sure to set your heart a blaze. These dances include multiple styles of ballet, from Christopher Wheeldon’s Polyphonia and its contemporary interpretation of György Ligeti’s music to Stephen Mills’ Desire and its Arvo Pärt-scored pas de deux to ZigZag, Jessica Lang’s upbeat choreography designed specifically for Tony Bennett’s music.   – James Scott


Boner Giallo: A Valentine’s Day Slasher

Friday 14, Come and Take It Live

Detailed in writer Miranda Garza’s Culture Spotlight column on p.14, the delights that await Dario Argento fans in this month’s offering from local erotic variety show Boner Bizarre are simply unmatched. Obviously, the Suspiria tributes will abound – red, blue, and purple color themes, maybe even a little barbed wire, yes? – but I’m awaiting some Phenomena realness. Just speculating, but could there be a little buggy burlesque in honor of Jennifer Connelly’s character’s psychic insectoid gifts? Or, better yet, there should be a monkey with a gun! As Argento said, “You must push everything to the absolute limit or else life will be boring!”   – James Scott


Fences

Through March 16, Georgetown Palace Theatre

August Wilson made plays about Black lives with the deliberate purpose to show white America that the idea that their Black neighbors were impossibly different was an illusion. At the same time, his work was deeply rooted in exploring how that illusion damaged Black people, and nowhere is that more painfully clear than in Fences, the defining work of his 10-part Pittsburgh Cycle. In Troy Maxson, the big man of the neighborhood, white audiences could see the frustrations and pride of a man who made the best he could of being a garbageman, a job any of them could have. At the same time, Wilson embedded his story in the injustices of the Negro baseball leagues and racial profiling. This new production by Austin-based director Jeremy Rashad Brown promises to prove both the power of Wilson’s work and the tragedy that it’s still agonizingly relevant.   – Richard Whittaker


Die Felicia host Louisianna Purchase Credit: Photo by Sean Peters

Die Felicia

Saturday 15, Elysium

Back from the grave after host Louisianna Purchase declared the show dead as a doornail, Red River’s best goth bar once again plays venue to the Boulet Brothers’ Dragula star’s horror-themed drag showcase. This resurrection strikes the day after Valentine’s, bringing with it a whole lotta lovesick sweethearts on the lineup: Syd Prescott, Bubu, Sticky Gold, Traumada, Gator Goblin, Atlas Mars, Carlos Cantu, and special guest from Dragula season 6 Grey Matter. Whether you’ve been zombified by a V-Day breakup or remain totally spellbound by your sweetie, this’ll be a show you won’t wanna miss.   – James Scott


Nunsense: The Mega Musical

Through February 23, Mary Moody Northern Theatre

Hungry for more Catholicism after watching Best Picture nominee Conclave? Or maybe you, like many, wished there was more habit hijinks than cardinal chaos in the film. Either way, you’ll be pleased to attend Dan Goggin’s story of a convent in crisis being put on under the direction of C. Patrick Gendusa at St. Edward’s University this winter. When the Little Sisters of Hoboken find their coffers empty following a “culinary disaster,” they band together for a fundraising variety show with tap dancing, comedy, an audience quiz, and special guest chef Sister Julia, Child of God. Be there or you will never be Pope!   – James Scott


Trust

Saturday 15, AFS Cinema

Hal Hartley, poet laureate of working-class Long Island, never broke big like some of his contemporaries in the indie film movement of the Eighties and Nineties; his movies are too mannered, too oddball for mainstream attention. Of his early films, 1990’s Trust is arguably his most approachable – and his most romantic, if you’re attracted to total weirdos who wear their inside thoughts on the outside. (Yes, please.) Martin Donovan and Adrienne Shelley are the unlikely couple (he’s a death-obsessed computer wiz, she’s a neon-drenched high schooler), while Edie Falco has a supporting role as a divorcée smarting from life’s disappointments. Donovan – a Hartley regular – returns in follow-up Simple Men, which screens Tuesday.   – Kimberley Jones


Love at First Bark

Saturday 15, BookPeople

Austin Animal Center is constantly striving toward its goal of being a no-kill shelter with positive outcomes for all the city’s animal friends, and their tireless work involves a network of essential volunteers all over the community. At this low-key meet & greet among the tomes of BookPeople, find out more about the city’s animal center and programs, meet some of their adorable adoptable pets, and learn how you can make a difference for them even if you’re not in the market for a furry family member. But who knows? Maybe you’ll meet your new best friend.   – Kat McNevins


Credit: Photo by Bret Brookshire / Courtesy of Austin Shakespeare

Mahabharata Tales

Saturday 15 – Sunday 23, Rollins Theater at the Long Center

Pushing past the Bard to a storied storyteller of another era altogether, Austin Shakespeare presents an original production drawn from the Mahbhrata, the epic poem drafted by Vyasa more than two millennia ago. Adapted by Austin Shakespeare Artistic Director Ann Ciccolella, this new staging dramatizes the war of succession depicted in the original Sanskrit text with dance and fight choreography and original music by Nagavalli along with improvised live music by Venkata Surampudi. Condensing the original work – about 1.8 million words in total – down to an evening’s entertainment? That’s an epic achievement in and of itself.   – Kimberley Jones


Credit: Courtesy of Cap City Comedy Club

Rhys Darby

Saturday 15 & Sunday 16, Cap City Comedy Club

I think about Rhys Darby a lot because certain things he said in the oddball musical comedy Flight of the Conchords stuck so firmly, like “Move over refrigerators: Here’s what’s cool.” His stand-up is just as clever and endearing as that show, enhanced with expert sound effects, zany storytelling, and fun facts. He gets jazzed about cryptids and space stuff, and writes books for kids and adults, offering witty observations with quirky and positive energy. If you’ve been feeling down at all, step right up because this is the type of show that will leave you feeling hopeful.   – Kat McNevins


The Annihilation of Fish

Saturday 15 & Monday 17, AFS Cinema

The greatest tragedy of filmmaker Charles Burnett is that he’s always been ahead of his time. The second greatest tragedy is a knack of accidental self-sabotage. Yet, in a way, these two failures make his films greater. His debut film, vérité drama Killer of Sheep, was denied a real release because clearing the music rights for the loaded soundtrack was basically impossible. When it was finally released in 2007, 29 years after Burnett finished the film as his master’s thesis at the UCLA School of Film, audiences truly appreciated its bleak insight into blue-collar life in Watts. So maybe, after only 26 years of languishing in the archives, it’s time to reappraise Burnett’s unlikely meet-cute rom-com that was just too odd for 1999 audiences. Starring Lynn Redgrave and James Earl Jones as two kooky no-longer-kids, can true love triumph when she’s being stalked by the ghost of Puccini, while he must wrestle an invisible man called Hank? More importantly, is it finally time to fall in love with another of Burnett’s wildly idiosyncratic works?   – Richard Whittaker


Artemio Rodriguez’s “Noche infinita” Credit: Courtesy of Blanton Museum of Art

In Creative Harmony: Three Artistic Partnerships

Sunday 16, Blanton Museum of Art

The singular genius. The auteur theory. For whatever reason, we like to think art is created in a vacuum. A new Blanton exhibit poses a counterargument: that great art inspires other great art. Uniquely conceived by three different Blanton curators, emphasizing different eras and mediums, “In Creative Harmony: Three Artistic Partnerships” zeros in on Mexican printmakers José Guadalupe Posada and Artemio Rodríguez, friends and abstract artists Arshile Gorky and Isamu Noguchi, and mother-and-daughter duo Nora and Eliza Naranjo Morse, descendants of Pueblo ceramicists. Runs through July 20.   – Kimberley Jones


HONK!TX Winter Fundraiser Ball

Sunday 16, 29th Street Ballroom

The local community street band’s big, free hoopla isn’t until the end of March, but the brassy crew is looking to raise some funds to make sure it’s up to their particular (and often peculiar) standards. Dress up (not formal, just let your freak flag fly) and get treated to four bands that add a healthy dose of eccentricity to their signature sounds. Kids are free, students are $5, and everyone else is on a sliding scale, but be generous to this Austin institution that makes “weird” look effortless.   – James Renovitch


Credit: Photo by John Anderson

Austin Marathon

Sunday 16, Downtown Austin

Lace up, Austin – the city’s ultimate test of stamina and stubbornness is here. The Ascension Seton Austin Marathon turns the streets into a 26.2-mile run club, complete with cheering strangers and the occasional regret. Whether you’re gunning for a PR, power-walking for pride, or just in it for the post-race breakfast tacos, one thing’s certain: The road will be long, the vibes will be strong, and your legs will probably hate you the next day. Not chasing that running high? Drivers should probably avoid the center of the city that morning.   – Lucciana Choueiry


Winter Kept Us Warm

Sunday 16, AFS Cinema

Introduced via video by formerly local queer cinema scholar and AFS programmer Elizabeth Purchell, AFS’s Queer Cinema: Lost and Found series offers Winter Kept Us Warm, a 1965 Canadian queer romance set in the University of Toronto and based on filmmaker David Secter’s own experience of falling in love with a fellow student there. It’s widely considered the first queer film out of Canada, the first English-language Canadian film to play at Cannes, and has been cited as inspiration by the likes of David Cronenberg, Michael Ondaatje, and Philip Glass in a 2005 documentary about Secter’s work. As what’s left of Austin winter sputters on, let this sweet proof that queer love has always been around keep you warm.   – Lina Fisher


Want to see all of our listings broken down by day? Go to austinchronicle.com/calendar and see what’s happening now or in the coming week.

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

James Scott is a writer who has lived in Austin since 2017. He covers queer events, news, and anything pertaining to Austin's LGBTQ community. Catch his work writing film essays for Hyperreal Film Club, performing in Queer Film Theory 101 at Barrel O' Fun, or on his social media platforms: @thejokesboy on Twitter and Bluesky or @ghostofelectricity on Instagram.

Kat grew up in Dallas and got to Austin as soon as she could, attending UT and sticking around afterward like so many Austinites. She started at the Chronicle as a proofreader in 2015, and became an events listings editor in 2020, covering community events, film screenings, summer camps, sports, and more.

James graduated from Columbia University in 2000 and moved to Austin a year later. Ever since, he has followed the arts and video game scene in ATX, editing and writing stories for the Chronicle along the way. Over his more than 20 years with the paper he has climbed the "corporate" ladder from lowly intern to managing editor.

Carys Anderson moved from Nowhere, DFW to Austin in 2017 to study journalism at the University of Texas. She began writing for The Austin Chronicle in 2021 and joined its full-time staff in 2023, where she covers music and culture.

Lucciana Choueiry is a freelance writer for The Austin Chronicle covering local government, public safety, the environment, the intersection of technology and policy in Central Texas – and anything else Austinites can’t stop talking about. She has reported for KUT and Texas Monthly, and was previously an editorial intern with The Austin Chronicle as well as News Editor at The University Star at Texas State University.

A graduate of the Michener Center for Writers at the University of Texas, Kimberley has written about film, books, and pop culture for The Austin Chronicle since 2000. She was named Editor of the Chronicle in 2016; she previously served as the paper’s Managing Editor, Screens Editor, Books Editor, and proofreader. Her work has been awarded by the Association of Alternative Newsmedia for excellence in arts criticism, team reporting, and special section (Best of Austin). The Austin Alliance for Women...

The Chronicle's first Culture Desk editor, Richard has reported on Austin's growing film production and appreciation scene for over a decade. A graduate of the universities of York, Stirling, and UT-Austin, a Rotten Tomatoes certified critic, and eight-time Best of Austin winner, he's currently at work on two books and a play.

Cat McCarrey is a writer, editor, educator and Dracula enthusiast. A good sandwich will always win her heart. She began writing about the arts regularly for the Chronicle in 2023.

Brant Bingamon arrived in Austin in 1981 to attend UT and immediately became fascinated by the city's music scene. He's spent his adult life playing in bands and began writing for the Chronicle in 2019, covering criminal justice, the death penalty, and public school issues. He has two children, Noah and Eryl, and lives with his partner Adrienne on the Eastside.