Evan Narcisse Credit: Photo by Jana Birchum

Essential bibliography: Rise of the Black Panther (Marvel); Wakanda (Marvel); Batman: Gotham Knights – Gilded City (DC); WWE The New Day: Power of Positivity (BOOM! Studios)

First Comic: “It was this old digest collection of Superman stories. I think the theme was Superman versus magic, and it was one of those small, squarish, trim-sized digest collections and it was a bunch of stories from the Fifties, Sixties, and probably Seventies. That was the first comic I can remember reading, but the first comic I remember buying with my own money was DC Comics Presents and it was a team-up between Superman and the Blackhawks, where he had to travel back to World War II and rescue Einstein.”

Currently working on: Static Team-Up: Anansi (DC). “I remember reading Static in college and thinking, ‘That’s me. This kid is sitting around with his friends, playing video games, talking shit, listening to hip-hop.’ I had to imagine Spider-Man was Black under that mask. I didn’t have to imagine with Static.”


“I remember seeing the first Christopher Reeves [Superman] movie in the theatres. … As a kid, I didn’t know what I was seeing, but as an adult I have to recognize the genuine, guileless, deep-rooted altruism that he made manifest in the character. He believed that shit. Think about the guy: trained at Juilliard, and you watch him doing interviews for the movies and he means it. He’s like, ‘We need a friend.’

“A lot of what I call nerd shame turns up in these adaptations. Like Zack Snyder turns everything dark and gritty, and has all this disaster porn, because there’s a deep level of embarrassment to engaging with these symbols. Reeves never had that, and I feel that there’s a direct line between Reeves’ full-hearted embodiment of that character and Chadwick [Boseman] playing T’Challa. He realized, this is important beyond any preconceived notions about superheroes as a genre or putting on a costume or anything like that. It can mean something bigger if we execute it the right way.”

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

The Chronicle's first Culture Desk editor, Richard has reported on Austin's growing film production and appreciation scene for over a decade. A graduate of the universities of York, Stirling, and UT-Austin, a Rotten Tomatoes certified critic, and eight-time Best of Austin winner, he's currently at work on two books and a play.