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Support Austin’s oldest and dearest theatre while wining and dining and being entertained by Guy Forsyth. Start the evening with cocktails, hors d’oeuvres, and conversation. Then enjoy a plated dinner and drinks with live performances from Guy Forsyth and other entertainment. Come out and bid on extraordinary silent auction items from local businesses!

From across the stars comes a tale of familial bonds, cosmic wonder, and donuts. Austin’s own DIY theatre Bottle Alley Theatre Company presents Aurora, written by Chris Fontanes, directed by Trace Turner, and featuring the acting talents of Rosemary McGraw, Cassandra DeFreitas, and Bonnie Lambert. This “transcendent theatrical experience” follows the titular Aurora as she celebrates her 30th birthday by attempting to trek back to her home planet – with inspiration taken from the real 1897 UFO crash in Aurora, Texas. Grab your ticket to this celestial journey, and consider adding on the $20 concessions package: a themed cocktail/mocktail, one Lunchable (pizza or ham & cheddar), and one jelly donut cupcake (GF options available). – James Scott

Thanks to Seventies funk band War, the word “lowrider” often calls to mind the unforgettable sax riff of the band’s 1975 No. 1 single. But lowrider can mean a snazzy customized car with hydraulics or a person who works on such a vehicle, and the culture around these cars has strengthened Mexican American communities in the Southwest since the Forties. Learn more about them at this exhibit featuring an interactive touchscreen mural, cars and bikes on display, and stories about the people who make lowriding a community. A member reception takes place May 18. – Kat McNevins

Jacob Guzman’s art takes up SPACE. It’s got the scale and scope that needs to be seen in person, so rush to take in the last week of his work filling the walls of Ivester Contemporary. Guzman depicts BIPOC characters in a world full of the mundane, the joyful, the soul-crushing. So, you know, our world. Building on traditions from contemporary artists to Harlem Renaissance masters, Guzman’s blocky giants play with the absurd and beautiful parts of life.: – Cat McCarrey

Vessel: a container that holds things. Vessel: a person infused with a quality. What quality? Any. Feel free to interpret it yourself when basking in Diane Chiyon Hong’s exhibit “Vessels – Handle with Care.” Her architectural sketches, part function, part form, part object, part person, part humor but all thought-provoking, currently grace the halls of the Asian American Resource Center. It’s Asian American Native Hawaiian and Pacific Islander Month, so why not pay the AARC a visit. I mean, if not now, when? – Cat McCarrey

The showcase for filmmaking from around the Spanish- and Portuguese-speaking world may host year-round screenings, but its heart is still the annual festival. Its 26th year brings dramas from Peru and comedies from Mexico, as well as a reminder that the Hispanic world includes the United States. The Strike looks at the prisoner protests in California’s notorious Pelican Bay State Prison, while opening night film (and South by Southwest 2023 selection) Going Varsity in Mariachi takes a musical trip to South Texas. Plus: Don’t miss a rare big-screen showing of La Frontera, Austin filmmaker Iliana Sosa’s episode for the HBO anthology documentary series God Save Texas. – Richard Whittaker

I’m a bona fide sandwich lover and a staunch believer in prison reform, so Clyde’s sounds just delectable. Ground Floor presents the story of a truck stop shop that employs former prisoners in the kitchen. The owner might not believe in them, but will they find a way to believe in themselves? First, anything set around food is guaranteed to be aces in my book. But finding a way to integrate human kindness with edible delicacies? Irresistible. Check it out, and discover just how delicious hope can be. – Cat McCarrey

Everyone’s favorite experimental comedy show/rock band/salsa brand has their sights set on the “fresh fertile lands of Philadelphia,” but they’re not quite outta Bat City yet. First, Good Pollution – composed of Clara Blackstone and Perpetual Oyster – hosts a cassette release party featuring the musical talents of Dromez, Attic Ted, and Cookie Tongue (New Orleans) as well as embarrassment artist Andie Flores. But of course, it wouldn’t be a real goodbye without a yard sale, where you can pick through Good Pollution’s belongings to help fund their ferrying off to the East Coast. – James Scott

A member of the Vada Vada collective (the Garden, Enjoy, Puzzle), Southern California’s Slater might look like a long-lost Shears brother, but the alt-pop purveyor draws a sonic line. Inspiration from early Aughts’ pop and R&B asserts itself through Slater’s modern drum and bass beats, crafting a glossy Frutiger Aero soundscape. His bubbly blend of rap and warped whines carry the 3OH!3 torch, but he holds a definitive flair for genre experimentation. (See: reggae-flittered “Liminal Space Within a Puka Shell Necklace.”) San Antonio-born Floats open with whirring garage pop.: – Laiken Neumann

Between gallery installations, ICOSA Collective utilizes their window space facing the Canopy thoroughfare to showcase short-running art shows. These artists often experiment with the limits of their window framings while their work remains displayed 24/7. ICOSA Collective is proud to present this week the latest multimedia work from visual artist/curator Rebecca Marino, “DOGSBODY IS DEAD.” The Austinite takes inspiration from author Kathrine Dunn’s semi-autobiographical work Attic, which delves into life as a young woman incarcerated in the 1960s Midwest. The displayed art, ICOSA Collective promises, will unpack “the emotional/ behavioral standards placed upon women and the often tragic results that ensue.” – James Scott