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This sweet opportunity comes to us from the Downtown Austin Alliance, the Pease Park Conservancy, and Ride Bikes Austin – so we know it's a damned good thing indeed. Take the self-guided Art & Parks Tour to explore the best of what Downtown Austin art and parks have to offer through this selection of curated murals, artworks, and green spaces. You can sign up anytime, so click that URL and get ready to learn the most vibrantly visual parts of your city soon – live and in person.

Use your smartphone to access self-guided tours of the outdoor public art sited by UT's award-winning Landmarks program any time you feel like it. BONUS: There's also a free, docent-led tour starting at Marc Quinn's "Spiral of the Galaxy" (1501 Red River) on Sun., Jan. 8, 11am.

April is really her month: Ms. Mother Earth, honored at this sustainable-style-focused fest created by eco-conscious mag SUSTAIN founder/Editor-in-Chief Reza Cristián, multidisciplinary artist & curator Leah Bury, and artists/Mutiny Market pop-up-trepreneurs Mikaela Friedman and Courtney Keville. These sustainability sirens bring to life a spring fashion show full of slow-fashion designers: UglyFlex, Faire Sauvage, Dear Ivy, YvieStyleIt, and many more. Maybe you caught the preview at South by Southwest, but nothing beats the full show. Isn’t that what Mother would want? – James Scott

When a fellow is named Tim McCool, you’ve got to hope he lives up to the moniker. We reckon that, as co-founder (with his dauntless spouse, Kira) of the right-there-in-the-garage Good Luck Have Fun Gallery off Enfield, this particular art-scene mover and shaker is as McCool as it gets. Evidence: The gallery’s newest show brings together the colorful and provocative work of four women artists – Aubree Dale, Aria Brownell, Wendy Rhode, and Barbara Miñarro – “who explore the relationships between individual identity and the collective, the process of making art and of making one’s self.” – Wayne Alan Brenner

You think it’s easy, being somebody’s mother? You think giving birth to another human being doesn’t put your own humanity and purpose under some fierce self-scrutiny? Milwaukee-based artist Aimée M. Everett, in her solo show at the George Washington Carver Museum and Cultural Center, uses abstraction, minimalist line-making, saturated colors, and melodic compositions to explore “the profound transformations experienced during childbirth and the subsequent journey of self-discovery into motherhood.” Word – or, more appropriately, image – to your mother. – Wayne Alan Brenner

Traveling in Mexico, you frequently encounter changarritos – portable food carts or tienditas run by hardworking entrepreneurs. The carts usually operate outside of any formal regulation and, in that way, mirror the resilience and creativity of Mexican culture. In 2005, artist Máximo González appropriated the concept of the changarrito as a way for artists to take their work directly to the people. The idea came to Austin’s venerable Mexic-Arte Museum in 2012, with dozens of artists displaying art and interacting with the public outside the Downtown gallery. The concept is back and will run through August. – Brant Bingamon

Albuquerque-based artist Beedallo utilizes bold colors and startling imagery in their paintings, many of which depict animals, humans, and religious figures in various states of distress. Their current show, “Ex Voto,” takes up the Recspec Gallery’s new Annex, created for “our artists to explore space and transform a simple shipping container into an entirely different dimension,” the gallery states. Within the container walls, Beedallo’s art digs into the urge to pray even without specific religious faith. “An Ex Voto is made as an offering to a saint or to God,” their artist’s statement reads. “This is often a work in the image of what needs to be fixed.” After the show’s opening date, it’ll run the next three Saturdays in April. – James Scott

Works by the annual Tito’s Prize Winner for Visual Arts – yes, that’s the Tito’s Handmade Vodka Tito, tyvm – are presented, as ever, by the community-forward creatives at Big Medium, and this year’s honoree is Trinidadian artist Rodell Warner. Come explore the new Big Medium space on South Congress, its gallery recently refurbished after a fire and freshly bright with Warner’s provocative digital interventions that fictionalize the Caribbean’s fraught past and interrogate that region’s historical photographic archive. – Wayne Alan Brenner

Art conservation can be a contradiction: to destroy to preserve. Thus it is with the HRC and its efforts to restore the Clarkson Stanfield album, one of the most remarkable volumes in the history of art photography. More correctly known as “100 Calotypes by D. O. Hill, R.S.A., and R. Adamson,” the collection of over 100 salted paper prints was collated by the photographers for landscape artist Stanfield and depicts the lords, laborers, clergy, and scientists of 19th-century Scotland and the landscapes in which they lived. Currently undergoing repairs, the center staff are using its deconstructed state to display 39 plates, along with more works from Hill and Adamson, as separate works since the first time they were bound. – Richard Whittaker

As a glasses-wearer, my vision unobstructed by assistive frames reveals a world of shapes – formless, edgeless, but colorful wonders nonetheless. Take a glance at Jen Garrido’s work, and you’ll feel as though your glasses have fallen away, too. The artist’s process, as she puts it, is “a delicate balance of choice and process.” She gravitates toward shapes that “tangle, overlap, sit, lean and lay” as a vessel for personal narratives and internal dialogues. While first looks may reveal only color and texture, Garrido’s paintings invite projection – so project your meanings any Tuesday-Sunday before the show’s April 28 end date. – James Scott

This local treasure of a venue, run by those Contemporary Austin folks who also bring us the Jones Center shows Downtown, is all about the outdoors – which is perfect for these trickily navigated times of ours, n'est-ce pas? Recommended: Stop by and breathe in the air, enjoy the lawns and gardens and the many examples of world-class sculpture arrayed across the property, and (as Frankie used to say) r-e-l-a-x.

Here's a two-person exhibition that features painting, installation, videography, and sculpture by Moll Brau and Wes Thompson. It's a deep dive into a pool of loneliness, triumph, and rebirth. It's a forest of mazes where fireflies provide the light. It's a show of creations from a pair of terrific, hardworking local artists and you don't want to miss it.

New works by Kelly Breez, Simone Thornton, and Sarah Murphy.

A piece of Dallas artist Molly Sydnor lives in Austin this spring thanks to “After the Rain Part I,” a Big Medium pop-up exhibition of bright textiles. Like a touchable rainbow, the multicolor weavings run ceiling-to-floor in a tiny room of the arts organization’s South Congress Avenue gallery space. The claustrophobic container may “evoke anxiety,” the artist notes, but for Sydnor, the act of weaving is a meditative process. Catch the display from 7 to 9pm on Tuesdays and Thursdays, or weekends from 11am to 4pm. – Carys Anderson

Enter the fascinating world of illusions in this new venue that boasts a stunning array of intriguing visual, sensory, and educational experiences among new, unexplored optical wonderments.

This multimedia exhibition is a comprehensive exploration of the beauty of botanical forms, expressed realistically and in the abstract, featuring the work of local artist Francine Funke.

Flowers are an integral part of the lives of the Broq-Pa peoples of the Indian subcontinent, a constant adornment for both men and women. The interplay of human and floral forms has fascinated artist Ziesook You and become the prevailing theme of her work onward from 2016. Since relocating to Austin two years ago, the internationally acclaimed artist has given a local twist to that body of work with this new collection featuring single mothers, seniors, and people with multicultural backgrounds as living vases for local flora. – Richard Whittaker

This exhibition of new work by Kate Breakey showcases hand-colored photography of the natural world, particularly of Texan and Australian landscapes, animals, and insects.

The opportunity to witness, in person, the creative expression of different times and diverse cultures is one of the perks of city-dwellers everywhere – and exemplified by the collections and traveling exhibitions hosted by UT’s acclaimed Blanton Museum of Art. The Blanton’s newest show displays masterpieces from Edo-period Japan, on loan from the Worcester Art Museum through June 30. These “pictures of the floating world” depict the lifestyle, pleasures, and interests of the urban population – samurais, geishas, kabuki actors, boat parties, palaces, and lush landscapes. As then, so now: Much of who we are is what we do with our lives. – Wayne Alan Brenner

This place, ah, it's one of our favorite places in the entire city; and of course they're properly corona-closed. But check 'em out online right now – it's a rich, wonder-filled website – to whet your appetite for when things get back to … uh … are we still calling it "normal," these days?

Yes, the SARF is welcoming visitors every Saturday – to say hello, apply to adopt special stuffies who need homes, and be dazzled by "the creative endeavors of the most talented stuffed minds ever assembled."

Minneapolis-born and -raised, Elizabeth Olds lived to a sturdy 94 but didn’t get the attention she deserved in her lifetime. The Harry Ransom Center’s new exhibit, which opened Feb. 3 and runs through July 14, aims to rectify that with a first-of-its-kind look back at more than 100 of her prints, paintings, drawings, and illustrations from the 1920s to the 1960s. Of particular note: her depictions of social and political change from her time as a Works Progress Administration printmaker. Want to go deeper? Drop in for one of the daily docent tours. – Kimberley Jones

This is Ray Donley's gallery of art by Native Americans, located in that company of artistic glory called Canopy and resplendent with creations from the original people of our struggling country.

Yard Dog presents the vibrant works of Paul Rodriguez, a printmaker from San Miguel de Allende. "And some very cool new paintings by Harry Underwood."

Alejandra Almuelle has been responsible for some of the most compelling works of clay sculpture ever created in this city, many of them predicated on the human body and its potential as a record of experience. This latest exhibition of her artistry, a solo show at Women & Their Work, brings the human form front and center, clayborne with additions of graphite, beeswax, paper, resin, and gold and silver leaf. Adorned, embellished, emboldened, the flesh created from clay comes full circle, a cycle of memory and magic powered by beauty, the viewing of it an experience we recommend recording via your own wonder-hungry rods and cones. – Wayne Alan Brenner

The local powerhouse of figurative painting, the art school that's the smart school for artists of all kinds, they've got a painting-along-at-home series going to help you keep your skills honed in these socially restrictive times, featuring live costumed models posing on camera and a thriving community of creatives rendering that lovely human biotecture from their separate studios. "Join us for a three-hour costumed-model drawing session. Use any supplies you wish, listen to music, share your work, chat with others. It’s a great way to stay connected with your art community!"