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Black cultural studies scholar Lisa B. Thompson’s “theatrical love letter to Black women and girls” premieres to a sold-out crowd this Friday at the Vortex. The choreopoem – which incorporates music, movement, and design, and culminates in an audience dance party – is “about embracing the ‘soft life’ for Black women, whose labor and dedication has sustained people, communities, and institutions,” says Thompson, who conceived of the idea during her 2021 MacDowell artist residency. The show was subsequently developed during a 2023-24 Texas Performing Arts and Fusebox residency, and includes songs co-written with composers Guthrie P. Ramsey, Jr. and Vince Anthony, as well as collaborations with choreographer Sadé M. Jones. The show runs Thu.-Sun. through May 4, and tickets are selling fast! – Lina Fisher

For generations of children, Arnold Lobel’s stories of amphibian best buds Frog and Toad have been a charming guide to the complexities and joys of friendship. Now the pair take to the stage for this delightful Tony-nominated musical. It’s truly a family affair, adapted by Lobel’s son-in-law Mark Linn-Baker with music by Robert Reale and book & lyrics by his brother, Willie. This new production, directed by Best of Austin winner Sara Burke, features Jillian Sainz and Victoria Brown donning the signature jackets and trousers of Frog and Toad, respectively. – Richard Whittaker

It all began with a list of those little moments and wonders in life, created by writer Duncan Macmillan as a short play called Sleeve Notes. But over time that list evolved through multiple iterations until it finally became Every Brilliant Thing, a one-man play based around the list of everything best in life delivered by a 6-year-old boy to his mother as he tries to understand this thing called depression. Joseph Garlock takes on the part originated by Jonny Donahue, all with the assistance of the audience. Post-show talkbacks with representatives from the National Alliance on Mental Illness Central Texas and Integral Care take place May 3 and 17. – Richard Whittaker

All aboard for a theatrical adventure with the latest innovative journey from the experimental geniuses of Cheerful Secrets. This time, the audience is the cast: As you board the train, you’ll be handed your script, and you and three friends will be playing the parts of either the band or the bachelorette party. Intermission is at Black Star Co-op at Crestview before you board the train and return Downtown for the second act. Read more online. – Richard Whittaker

Every first Saturday of the month, six true-to-life stories for mature audiences are told on a specific theme about love, sex, death, and spiritual transformation.

OMG, it’s prom season, y’all! And what could make it better than four Broadway stars making it all about themselves? Zach presents the catchy tale of desperate thespians trying to gain relevance by “helping” a small town prom be less bigoted. Set to toe-tapping tunes, this musical entertains and educates. There will be laughs, love, and you know, someone might just learn something along the way. – Cat McCarrey

Many among us remember the iridescent colors within beloved children’s book The Rainbow Fish, so why not give the young’uns of today a chance to enjoy that beauty in a new way. This musical extravaganza brings the story of sharing and belonging to the stage with costumes, songs, and sets as mesmerizing as the titular fish’s sparkling scales. Led by Austin Scottish Rite Theater’s own Artistic Director Deanna Belardinelli, “this school of fish moves as a unit and have their fins, pincers and tentacles outreached, beckoning you to join!” Go ahead, Reader: Dive in. – James Scott