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This sweet opportunity comes to us from the Downtown Austin Alliance, the Pease Park Conservancy, and Ride Bikes Austin – so we know it's a damned good thing indeed. Take the self-guided Art & Parks Tour to explore the best of what Downtown Austin art and parks have to offer through this selection of curated murals, artworks, and green spaces. You can sign up anytime, so click that URL and get ready to learn the most vibrantly visual parts of your city soon – live and in person.

Use your smartphone to access self-guided tours of the outdoor public art sited by UT's award-winning Landmarks program any time you feel like it. BONUS: There's also a free, docent-led tour starting at Marc Quinn's "Spiral of the Galaxy" (1501 Red River) on Sun., Jan. 8, 11am.

Traveling in Mexico, you frequently encounter changarritos – portable food carts or tienditas run by hardworking entrepreneurs. The carts usually operate outside of any formal regulation and, in that way, mirror the resilience and creativity of Mexican culture. In 2005, artist Máximo González appropriated the concept of the changarrito as a way for artists to take their work directly to the people. The idea came to Austin’s venerable Mexic-Arte Museum in 2012, with dozens of artists displaying art and interacting with the public outside the Downtown gallery. The concept is back and will run through August. – Brant Bingamon

Tusa, Sicily, in addition to being a beautiful seaside Italian village, was also birthplace to artist Jeffrey Dell’s newest monotypes. He created the works during an artist’s residency, utilizing traditional printmaking materials to capture the vertical nature of his surroundings. In his artist’s statement, Dell explains his goal with the monotypes as interrogating what happens between seeing and understanding images. “The mind wants and expects to see certain things and is capable of leaping ahead,” Dell writes. “Mostly those leaps are amazingly correct, but sometimes they’re wrong. I’m trying to make work that creates a moment when it’s possible to notice such dynamics while also avoiding the ‘punchline’ of an optical illusion – that is, to deny a moment of ‘getting it.’” – James Scott

This local treasure of a venue, run by those Contemporary Austin folks who also bring us the Jones Center shows Downtown, is all about the outdoors – which is perfect for these trickily navigated times of ours, n'est-ce pas? Recommended: Stop by and breathe in the air, enjoy the lawns and gardens and the many examples of world-class sculpture arrayed across the property, and (as Frankie used to say) r-e-l-a-x.

Here's a two-person exhibition that features painting, installation, videography, and sculpture by Moll Brau and Wes Thompson. It's a deep dive into a pool of loneliness, triumph, and rebirth. It's a forest of mazes where fireflies provide the light. It's a show of creations from a pair of terrific, hardworking local artists and you don't want to miss it.

Anyone who’s lost a loved one can testify to the unfamiliar pain of fresh grief. It really is an emotional roller coaster, full of shocking joy and debilitating sorrow, always appearing at unexpected moments. After losing her grandfather, artist Monica Martinez-Diaz channeled her pain into art. Her latest exhibit covers her journey using photography, books, and video work. It tackles the opposing forces of grief through bold colors and small details. Its loving appreciation of the people who travel through our lives is guaranteed to resonate. – Cat McCarrey

Enter the fascinating world of illusions in this new venue that boasts a stunning array of intriguing visual, sensory, and educational experiences among new, unexplored optical wonderments.

This multimedia exhibition is a comprehensive exploration of the beauty of botanical forms, expressed realistically and in the abstract, featuring the work of local artist Francine Funke.

This exhibition of new work by Kate Breakey showcases hand-colored photography of the natural world, particularly of Texan and Australian landscapes, animals, and insects.

The opportunity to witness, in person, the creative expression of different times and diverse cultures is one of the perks of city-dwellers everywhere – and exemplified by the collections and traveling exhibitions hosted by UT’s acclaimed Blanton Museum of Art. The Blanton’s newest show displays masterpieces from Edo-period Japan, on loan from the Worcester Art Museum through June 30. These “pictures of the floating world” depict the lifestyle, pleasures, and interests of the urban population – samurais, geishas, kabuki actors, boat parties, palaces, and lush landscapes. As then, so now: Much of who we are is what we do with our lives. – Wayne Alan Brenner

This place, ah, it's one of our favorite places in the entire city; and of course they're properly corona-closed. But check 'em out online right now – it's a rich, wonder-filled website – to whet your appetite for when things get back to … uh … are we still calling it "normal," these days?

Minneapolis-born and -raised, Elizabeth Olds lived to a sturdy 94 but didn’t get the attention she deserved in her lifetime. The Harry Ransom Center’s new exhibit, which opened Feb. 3 and runs through July 14, aims to rectify that with a first-of-its-kind look back at more than 100 of her prints, paintings, drawings, and illustrations from the 1920s to the 1960s. Of particular note: her depictions of social and political change from her time as a Works Progress Administration printmaker. Want to go deeper? Drop in for one of the daily docent tours. – Kimberley Jones

This is Ray Donley's gallery of art by Native Americans, located in that company of artistic glory called Canopy and resplendent with creations from the original people of our struggling country.

Accenting soft, blurred pastels with sharp acrylics, Yamin Li’s “Gnortsma” exhibit reflects the uncertainty of life as an immigrant. Nothing is quite right in the series’ 20 paintings; the Chinese artist blends “habitual objects” – houses, trees, toys – with more unexpected ones, like a figure rendered with childlike collage bearing a medieval spear and sword. Li debuts her works at a May 2 opening ceremony, which runs from 5:30 to 7:30pm. Afterward, the Central Library will display the exhibit until July 14. – Carys Anderson

Thanks to Seventies funk band War, the word “lowrider” often calls to mind the unforgettable sax riff of the band’s 1975 No. 1 single. But lowrider can mean a snazzy customized car with hydraulics or a person who works on such a vehicle, and the culture around these cars has strengthened Mexican American communities in the Southwest since the Forties. Learn more about them at this exhibit featuring an interactive touchscreen mural, cars and bikes on display, and stories about the people who make lowriding a community. A member reception takes place May 18. – Kat McNevins

The impeccably named MuthaGoose is the collective brainchild of artists Jill Garcia and Kim Phu. They are two of the baddest muthas around, debuting their collaborative creativity with the sly, wry, “Luster Woo” exhibit at the Butridge Gallery in the Dougherty Arts Center. Both are well-versed in playing around with mediums, crafting sculptures and paintings created from all manner of found or upcycled items. For “Luster Woo,” MuthaGoose present their nostalgic-but-modern takes on women’s issues. On Wednesday, Jill Garcia will be present for the artist reception, answering questions about the duo’s process. Check out these indelible visuals highlighting how the more things change, the more things stay the same. – Cat McCarrey