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This sweet opportunity comes to us from the Downtown Austin Alliance, the Pease Park Conservancy, and Ride Bikes Austin – so we know it's a damned good thing indeed. Take the self-guided Art & Parks Tour to explore the best of what Downtown Austin art and parks have to offer through this selection of curated murals, artworks, and green spaces. You can sign up anytime, so click that URL and get ready to learn the most vibrantly visual parts of your city soon – live and in person.

Use your smartphone to access self-guided tours of the outdoor public art sited by UT's award-winning Landmarks program any time you feel like it. BONUS: There's also a free, docent-led tour starting at Marc Quinn's "Spiral of the Galaxy" (1501 Red River) on Sun., Jan. 8, 11am.

Thanks to Seventies funk band War, the word “lowrider” often calls to mind the unforgettable sax riff of the band’s 1975 No. 1 single. But lowrider can mean a snazzy customized car with hydraulics or a person who works on such a vehicle, and the culture around these cars has strengthened Mexican American communities in the Southwest since the Forties. Learn more about them at this exhibit featuring an interactive touchscreen mural, cars and bikes on display, and stories about the people who make lowriding a community. A member reception takes place May 18. – Kat McNevins

Jacob Guzman’s art takes up SPACE. It’s got the scale and scope that needs to be seen in person, so rush to take in the last week of his work filling the walls of Ivester Contemporary. Guzman depicts BIPOC characters in a world full of the mundane, the joyful, the soul-crushing. So, you know, our world. Building on traditions from contemporary artists to Harlem Renaissance masters, Guzman’s blocky giants play with the absurd and beautiful parts of life.: – Cat McCarrey

Traveling in Mexico, you frequently encounter changarritos – portable food carts or tienditas run by hardworking entrepreneurs. The carts usually operate outside of any formal regulation and, in that way, mirror the resilience and creativity of Mexican culture. In 2005, artist Máximo González appropriated the concept of the changarrito as a way for artists to take their work directly to the people. The idea came to Austin’s venerable Mexic-Arte Museum in 2012, with dozens of artists displaying art and interacting with the public outside the Downtown gallery. The concept is back and will run through August. – Brant Bingamon

Art conservation can be a contradiction: to destroy to preserve. Thus it is with the HRC and its efforts to restore the Clarkson Stanfield album, one of the most remarkable volumes in the history of art photography. More correctly known as “100 Calotypes by D. O. Hill, R.S.A., and R. Adamson,” the collection of over 100 salted paper prints was collated by the photographers for landscape artist Stanfield and depicts the lords, laborers, clergy, and scientists of 19th-century Scotland and the landscapes in which they lived. Currently undergoing repairs, the center staff are using its deconstructed state to display 39 plates, along with more works from Hill and Adamson, as separate works since the first time they were bound. – Richard Whittaker

Tusa, Sicily, in addition to being a beautiful seaside Italian village, was also birthplace to artist Jeffrey Dell’s newest monotypes. He created the works during an artist’s residency, utilizing traditional printmaking materials to capture the vertical nature of his surroundings. In his artist’s statement, Dell explains his goal with the monotypes as interrogating what happens between seeing and understanding images. “The mind wants and expects to see certain things and is capable of leaping ahead,” Dell writes. “Mostly those leaps are amazingly correct, but sometimes they’re wrong. I’m trying to make work that creates a moment when it’s possible to notice such dynamics while also avoiding the ‘punchline’ of an optical illusion – that is, to deny a moment of ‘getting it.’” – James Scott

This local treasure of a venue, run by those Contemporary Austin folks who also bring us the Jones Center shows Downtown, is all about the outdoors – which is perfect for these trickily navigated times of ours, n'est-ce pas? Recommended: Stop by and breathe in the air, enjoy the lawns and gardens and the many examples of world-class sculpture arrayed across the property, and (as Frankie used to say) r-e-l-a-x.

Here's a two-person exhibition that features painting, installation, videography, and sculpture by Moll Brau and Wes Thompson. It's a deep dive into a pool of loneliness, triumph, and rebirth. It's a forest of mazes where fireflies provide the light. It's a show of creations from a pair of terrific, hardworking local artists and you don't want to miss it.

Enter the fascinating world of illusions in this new venue that boasts a stunning array of intriguing visual, sensory, and educational experiences among new, unexplored optical wonderments.

This multimedia exhibition is a comprehensive exploration of the beauty of botanical forms, expressed realistically and in the abstract, featuring the work of local artist Francine Funke.

This exhibition of new work by Kate Breakey showcases hand-colored photography of the natural world, particularly of Texan and Australian landscapes, animals, and insects.

The opportunity to witness, in person, the creative expression of different times and diverse cultures is one of the perks of city-dwellers everywhere – and exemplified by the collections and traveling exhibitions hosted by UT’s acclaimed Blanton Museum of Art. The Blanton’s newest show displays masterpieces from Edo-period Japan, on loan from the Worcester Art Museum through June 30. These “pictures of the floating world” depict the lifestyle, pleasures, and interests of the urban population – samurais, geishas, kabuki actors, boat parties, palaces, and lush landscapes. As then, so now: Much of who we are is what we do with our lives. – Wayne Alan Brenner

This place, ah, it's one of our favorite places in the entire city; and of course they're properly corona-closed. But check 'em out online right now – it's a rich, wonder-filled website – to whet your appetite for when things get back to … uh … are we still calling it "normal," these days?

Over six decades, internationally acclaimed artist Hunt Slonem has created his own universe, with pieces in the Met, the Whitney, Guggenheim, et al. and celeb collectors from Sharon Stone to the Kardashian clan. Known for vibrant neo-expressionist works starring the three B’s – bunnies, birds, and butterflies – the New Yorker even paints with a bird or two from his personal aviary perched on his shoulder. This comprehensive display brings together over 100 works spanning oil paintings to blown glass, and is presented in conjunction with “Huntopia,” opening May 4 at San Antonio Botanical Garden. – Kat McNevins

Between gallery installations, ICOSA Collective utilizes their window space facing the Canopy thoroughfare to showcase short-running art shows. These artists often experiment with the limits of their window framings while their work remains displayed 24/7. ICOSA Collective is proud to present this week the latest multimedia work from visual artist/curator Rebecca Marino, “DOGSBODY IS DEAD.” The Austinite takes inspiration from author Kathrine Dunn’s semi-autobiographical work Attic, which delves into life as a young woman incarcerated in the 1960s Midwest. The displayed art, ICOSA Collective promises, will unpack “the emotional/ behavioral standards placed upon women and the often tragic results that ensue.” – James Scott

Minneapolis-born and -raised, Elizabeth Olds lived to a sturdy 94 but didn’t get the attention she deserved in her lifetime. The Harry Ransom Center’s new exhibit, which opened Feb. 3 and runs through July 14, aims to rectify that with a first-of-its-kind look back at more than 100 of her prints, paintings, drawings, and illustrations from the 1920s to the 1960s. Of particular note: her depictions of social and political change from her time as a Works Progress Administration printmaker. Want to go deeper? Drop in for one of the daily docent tours. – Kimberley Jones

This is Ray Donley's gallery of art by Native Americans, located in that company of artistic glory called Canopy and resplendent with creations from the original people of our struggling country.

Accenting soft, blurred pastels with sharp acrylics, Yamin Li’s “Gnortsma” exhibit reflects the uncertainty of life as an immigrant. Nothing is quite right in the series’ 20 paintings; the Chinese artist blends “habitual objects” – houses, trees, toys – with more unexpected ones, like a figure rendered with childlike collage bearing a medieval spear and sword. Li debuts her works at a May 2 opening ceremony, which runs from 5:30 to 7:30pm. Afterward, the Central Library will display the exhibit until July 14. – Carys Anderson