Posted inScreens
Tugging at True-Crime’s Seams in SXSW Doc Zodiac Killer Project
Charlie Shackleton on genre conventions, and why he subverted them
SXSW
Posted inScreens
A Dog’s View of Evil in SXSW Midnighter Good Boy
Director Ben Leonberg on channeling Poltergeist and White Fang
Posted inScreens
SXSW Drama American Sweatshop Contemplates the Extreme Content That Can’t Be Unseen
Director Uta Briesewitz on the power of images for good and evil
Posted inScreens
SXSW Film Review: Another Simple Favor
Like con artists, sequels to even campy crime can be tricky
Posted inScreens
SXSW Film Review: The Threesome
This modern rom-com takes itself seriously … but not too seriously
Posted inNews
Scholars Visiting Austin Discuss the Building Blocks of a “Just Economy”
Authors sit down at SXSW and UT to dissect moral economics
Posted inScreens
In I Really Love My Husband, a Couple Becomes a Throuple
GG Hawkins on her SXSW debut and DIY filmmaking
Posted inScreens
Chasing the Yeses: Bluesky COO Rose Wang Heads to SXSW
How a community-first culture pervades the social media startup
Posted inScreens
Short and Sweet: “Neuro”
Austin-made psychotropic short explores the mutability of memory
Posted inScreens
Short and Sweet: “Red Sands”
Riding the dunes with El Paso’s gearheads and off-roaders
Posted inScreens
Dust Bowl Blues and Dystopian Futures in South by Southwest Musical O’Dessa
Geremy Jaspar on his Sadie Sink post-apocalyptic Americana odyssey
Posted inScreens
In SXSW Documentary Other Side, an Activist Fights to the End for Access to Medical Aid in Dying
Lynda Bluestein’s battle to die on her own terms