Posted inScreens
SXSW Film Review: The Locust
Filmmaking metadrama about the perils of being your own subject
SXSW Film 2022
Posted inScreens
SXSW Episodic Review: DMZ
New Ava DuVernay series departs from her usual visual style
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SXSW Film Review: Kids in the Hall: Comedy Punks
Canada’s transgressive comedy kings reunite
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SXSW Doc Proves That Being an Evangelical Christian Doesn’t Have to Mean Transphobia
Love above all others in Mama Bears
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The Last Border Crossing
Iliana Sosa’s trips with her grandfather become touching documentary What We Leave Behind
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The 13 Hours That Changed Texas in Shouting Down Midnight
SXSW documentary stands by Wendy Davis during her filibuster
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SXSW Film Review: A Lot of Nothing
The Black bourgeoisie contends with police shootings
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SXSW Film Review: It’s Quieter in the Twilight
The mortality of machines and their creators gently explored
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SXSW Film Review: The Mojo Manifesto: The Life and Times of Mojo Nixon
Raucous doc celebrates the legend without seeing much of the man
Posted inScreens
SXSW Film Review: I Love My Dad
SXSW Grand Jury award winner finds humor in an icky setup
Posted inScreens
SXSW Announces Grand Jury Award Winners
Austinite Iliana Sosa wins twice for What We Leave Behind