Posted inMusic
South By Southwest Has a New Investor
With 50% ownership in SXSW LLC, P-MRC provides “lifeline”
SXSW 2021
Posted inScreens
SXSW Film Review: When Claude Got Shot
Documentary goes beyond the headlines of Black-on-Black crime
Posted inScreens
SXSW Film Review: Disintegration Loops
How a simple ambient experiment became a timeless tribute to 9/11
Posted inScreens
SXSW Interview: Bradley Grant Smith’s “Male Gaze Gazes on the Male Gaze” in Our Father
Dick Wolf, Chicago, and the politics of writing female leads
Posted inScreens
SXSW Film Review: Without Getting Killed or Caught
Guy Clark’s life, entwined with his wife and best friend
Posted inScreens
SXSW Interview: Kelley Kali and Angelique Molina are Fine (Thanks For Asking)
How a can-do attitude enabled a rapid pandemic production
Posted inScreens
SXSW, Oscilloscope, and Mailchimp Come Together to #SupportTheShorts
South by selections available online from today
Posted inScreens
SXSW Film Review: Who We Are: A Chronicle of Racism in America
Jeffery Robinson’s captivating lecture on America’s shared legacy
Posted inScreens
SXSW Film Review: Through the Plexi-Glass: Last Days at the San José
Liz Lambert’s self-portrait of Austin’s complex gentrification
Posted inScreens
Tom Petty, Folk Horror Lead SXSW Audience Awards
The Fallout is this year’s big winner
