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Bresson’s 1969 film is reportedly one of his best. It must also be one of his most unusual since it was shot in color and stars a professional actress, the young Catherine Deneuve.
This article appears in September 29 • 1995 (Cover).
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Marjorie Baumgarten is a film critic and contributing writer at The Austin Chronicle, where she has worked in many capacities since the paper's founding in 1981. She served as the Chronicle's Film Reviews editor for 25 years. More by Marjorie Baumgarten
