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In retrospect, Tron may be the film that kicked off a generation of movies about guys getting sucked into the operational innards of powerful computers. Visually, this film is state of the art, à la 1982, and Bridges turns in some of his better work.
This article appears in December 1 • 2000.
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Marjorie Baumgarten is a film critic and contributing writer at The Austin Chronicle, where she has worked in many capacities since the paper's founding in 1981. She served as the Chronicle's Film Reviews editor for 25 years. More by Marjorie Baumgarten
