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PLUS: Austin Chronic & 4/20 Merch • Summer Camps
Nutty black comedy ensues when an heir to a British lordship thinks he’s Jesus Christ. Outrageous in its time, the film’s eccentricities (characters burst into song and dance) are indeed its charms.
This article appears in July 19 • 2002.
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Marjorie Baumgarten is a film critic and contributing writer at The Austin Chronicle, where she has worked in many capacities since the paper's founding in 1981. She served as the Chronicle's Film Reviews editor for 25 years. More by Marjorie Baumgarten
