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In between his contemporary films grouped around thematic cycles, Rohmer has generally “cleared his palette” with costume dramas, represented here by The Marquise of O, which is set in 19th-century Italy.
This article appears in September 28 • 2001.
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Marjorie Baumgarten is a film critic and contributing writer at The Austin Chronicle, where she has worked in many capacities since the paper's founding in 1981. She served as the Chronicle's Film Reviews editor for 25 years. More by Marjorie Baumgarten
