The Insect Woman, from Japanese director Shohei Imamura, one of the most important and least internationally known post-war filmmakers, tells the story of a young peasant woman who leaves her mountain village to become the boss of a call girl ring in Tokyo. With this celebration of three generations of female survivors, the directors sensitivity toward woman has been widely praised. The Village Voice named it the best of the year when it was released in New York in the Eighties. It has also been compared to Fassbinders The Marriage of Maria Braun and Sirks Imitation of Life.
This article appears in November 12 • 1999.
