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The film contrasts the story of the Passion of Christ with the persecution of two gay men. Jarman (Caravaggio, The Last of England) was a flamboyantly elegiac filmmaker who also worked from his persepctive as an HIV-positive artist.
This article appears in January 24 • 2003.
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Marjorie Baumgarten is a film critic and contributing writer at The Austin Chronicle, where she has worked in many capacities since the paper's founding in 1981. She served as the Chronicle's Film Reviews editor for 25 years. More by Marjorie Baumgarten
