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A kaleidoscope of sex, torture, and sacrilege from Italy’s most prolific filmmaker, Jess Franco’s The Demons is described as a “nunsploitation” gem in which a kiss from a possessed nun can turn a man into a skeleton.
This article appears in September 20 • 2002.
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Marjorie Baumgarten is a film critic and contributing writer at The Austin Chronicle, where she has worked in many capacities since the paper's founding in 1981. She served as the Chronicle's Film Reviews editor for 25 years. More by Marjorie Baumgarten
