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Stan Brakhage, the patron saint of the personal cinema, takes his camera down into a busy metropolitan morgue and records what he sees decay, destruction, autopsies, and death. The film is double-billed with Fuses.
This article appears in December 29 • 2000.
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Marjorie Baumgarten is a film critic and contributing writer at The Austin Chronicle, where she has worked in many capacities since the paper's founding in 1981. She served as the Chronicle's Film Reviews editor for 25 years. More by Marjorie Baumgarten
