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Woody Allen’s first film as the writer, director, and star tells the story of a hapless bank robber. The movie unfolds documentary-style, a technique later used again in Zelig.
This article appears in July 12 • 2002.
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Marjorie Baumgarten is a film critic and contributing writer at The Austin Chronicle, where she has worked in many capacities since the paper's founding in 1981. She served as the Chronicle's Film Reviews editor for 25 years. More by Marjorie Baumgarten
