Les Signes Vitaux/Vital Signs

Narrative Feature, Emerging Visions
D: Sophie Deraspe; with Marie-Hélène Bellavance, Francis Ducharme, Marie Brassard, Danielle Ouimet, Suzanne St-Michel, Alan Fawcett, Marc Marans, Bernard Arène

This French-Canadian production is a delicate study of human fragility. Following the unexpected death of her grandmother, Simone (Bellavance) abandons her graduate studies in biology to volunteer as a hospice attendant, mystifying her boyfriend, Boris (Ducharme), while forming intense but passing bonds with dying patients. “It’s a rare intimacy to share their dying moments,” she tells him, although, in an achingly intelligent performance by Bellavance, she simultaneously approaches the experience with nearly a scientist’s dispassion. Writer/director Deraspe films Simone’s tale with similar objectivity, recounting it in very brief, suggestive scenes and only a few moments of extended dialogue (Simone’s one attempt to verbally soften the death blow for a family member immediately backfires). Simone’s personal story and uncertain love affair interweave with the brief tales of the various patients and give a sense of intensified consequences for each human action – perhaps partly Simone’s motivation in attending to the dying.


Friday, March 19, 1pm, Lamar 2

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Contributing writer and former news editor Michael King has reported on city and state politics for the Chronicle since 2000. He was educated at Indiana University and Yale, and from 1977 to 1985 taught at UT-Austin. He has been the editor of the Houston Press and The Texas Observer, and has reported and written widely on education, politics, and cultural subjects.