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This king of the “good ol’ boy” movies features Reynolds as bootlegging driver transporting unmarked booze across state lines. Stuntman Hal Needham makes his debut here as a director, and the film consequently showcases elaborate car chases and crashes.
This article appears in December 24 • 1999.
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Marjorie Baumgarten is a film critic and contributing writer at The Austin Chronicle, where she has worked in many capacities since the paper's founding in 1981. She served as the Chronicle's Film Reviews editor for 25 years. More by Marjorie Baumgarten
