Saved!
2004, PG-13, 92 min.
D: Brian Dannelly; with Jena Malone, Mandy Moore, Macaulay Culkin, Patrick Fugit, Heather Matarazzo.

“I’ve been born-again my whole life,” 17-year-old Mary (Malone) introduces herself with straight-faced solemnity. In addition to being a Baptist and a literalist, Mary’s also an amateur teleologist, which explains why, when her boyfriend Dean (Faust) comes back from summer vacation gay, she believes it is her Christian duty to save Dean at whatever cost. The end justifies the means, Mary reasons, so she seduces Dean, believing that God will restore her spiritual virginity even if her earthly one just went kaput. Despite Mary’s hard work, Dean stays gay and is soon shipped off to a Christian intervention center, with Mary left lonely, faith-shaken, and pregnant. Mary hides her pregnancy from this ensemble comedy’s eclectic cast of characters, including her best friend, the pretty, popular, and rabidly devout Hilary Faye (Moore, having a very bitchy blast); Hilary Faye’s big brother, the wheelchair-bound Roland (Culkin); and edgy Cassandra (Amurri), infamous at their Baptist high school for being the lone Jew. Saved! has its most fun getting to know these quirky characters and getting its bearings in their cloistered environs, where a typical assembly involves the principal, Pastor Skip (Donovan), mugging like a rock star and asking his students if they’re “ready to get their Christ on.” Watching Saved! can feel a little like a giddy rabbit-hole slide into bizarro land for teen-comedy conventions, where suddenly the Head Cheerleader has been supplanted by the biggest Bible thumper, and the burnouts are the ones who haven’t welcomed Jesus into their heart, yet. It’s inspired material, but first-time filmmaker Brian Dannelly (who co-wrote the script with Michael Urban) doesn’t quite go the distance, falling short of his film’s anarchic promise. While Saved! initially gets in some good gags at the expense of religious hypocrisy, it eases off, opting not to skewer religion but rather to poke it gently with a stick to see what happens. What happens is a sweet, often very funny, and ultimately pretty soft satire in which everybody – and I mean everybody – is let off the hook. Unlike the religion he’s turned his lens on, Dannelly preaches tolerance. While that may be the more mature, the more compassionate, approach, it isn’t the nerviest.

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A graduate of the Michener Center for Writers at the University of Texas, Kimberley has written about film, books, and pop culture for The Austin Chronicle since 2000. She was named Editor of the Chronicle in 2016; she previously served as the paper’s Managing Editor, Screens Editor, Books Editor, and proofreader. Her work has been awarded by the Association of Alternative Newsmedia for excellence in arts criticism, team reporting, and special section (Best of Austin). The Austin Alliance for Women...