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A piece of pornography from the Seventies is used by the filmmaker in “removed.” She applies nail polish and bleach to create a new film in which the woman exists only as an empty animated hole.
This article appears in August 11 • 2000.
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Marjorie Baumgarten is a film critic and contributing writer at The Austin Chronicle, where she has worked in many capacities since the paper's founding in 1981. She served as the Chronicle's Film Reviews editor for 25 years. More by Marjorie Baumgarten
