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Hitchcock’s first American film remains one of his creepiest. This Daphne du Maurier story relates the plight of a new bride who lives in the shadow of her husband’s former wife. The performances are first-rate, and Anderson as the obsessively attached maid Mrs. Danvers is a perverse gem.
This article appears in May 19 • 2000.
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Marjorie Baumgarten is a film critic and contributing writer at The Austin Chronicle, where she has worked in many capacities since the paper's founding in 1981. She served as the Chronicle's Film Reviews editor for 25 years. More by Marjorie Baumgarten
