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The Coen brothers sealed their place in film history as more than just a novelty act with this demented comedy about an infertile couple who steal a baby. The film’s sense of family values will make your head hurt and the chase scenes will set your noggin spinning.
This article appears in June 11 • 1999 (Cover).
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Marjorie Baumgarten is a film critic and contributing writer at The Austin Chronicle, where she has worked in many capacities since the paper's founding in 1981. She served as the Chronicle's Film Reviews editor for 25 years. More by Marjorie Baumgarten
