Anne Hathaway in 'Les Misérables'

“It’s that time of year when we head to the multiplex accompanied by people we normally wouldn’t see movies with.” So writes Chronicle reviewer Leah Churner in her intro to comedy Parental Guidance, one of three new films ready to be unwrapped in movie theatres today.

Three new films, pitched at three very different crowds, open today. Parental Guidance – aptly rated PG – is a family comedy starring old pros Billy Crystal and Bette Midler as grandparents babysitting an unruly brood. Our reviewer wasn’t too terribly impressed (she awarded the film 2 stars), but she did credit the actors “for the professionalism they bring to this stinker, especially Marisa Tomei, who plays it straight as a contemporary have-it-all-or-die-trying mom, and Midler, who’s given little to do, but works up an amusing backstory about her days as a good-time gal on the evening news.”

On the opposite end of the spectrum is Quentin Tarantino’s R-rated, hyperviolent epic Django Unchained, about a freed slave (Jamie Foxx) and a bounty hunter (Christoph Waltz) teaming up to take down a plantation owner (Leonardo DiCaprio). In her 3.5 star review, Marjorie Baumgarten writes:

Django Unchained has obvious roots in the spaghetti Western …. Yet [it] is also a love story, a revenge picture, and an action comedy. Leave it to Tarantino to blend all these generic components into a fluid whole, weaving in and out of the narrative objectives like a virtuoso artist at a loom.”

Settling somewhere in between these two extremes is Tom Hooper’s long-awaited adaptation of the stage musical Les Misérables, starring Hugh Jackman, Russell Crowe, and Anne Hathaway. In my 3.5 star review of Les Misérables, I called it “human and heartfelt and a potent piece of cinema, most especially for fans of the musical hungering for nearness to the material.”

For theatres and showtimes, see Film Listings.

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

A graduate of the Michener Center for Writers at the University of Texas, Kimberley has written about film, books, and pop culture for The Austin Chronicle since 2000. She was named Editor of the Chronicle in 2016; she previously served as the paper’s Managing Editor, Screens Editor, Books Editor, and proofreader. Her work has been awarded by the Association of Alternative Newsmedia for excellence in arts criticism, team reporting, and special section (Best of Austin). The Austin Alliance for Women...