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In this remake of John Stahl’s 1935 film, Hudson plays a drunken playboy who mends his ways and becomes a surgeon in order to repair the eyesight of the woman (Wyman) he blinded in a car accident. This outrageous story was a popular success and sealed Hudson’s stardom.
This article appears in May 5 • 2000.
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Marjorie Baumgarten is a film critic and contributing writer at The Austin Chronicle, where she has worked in many capacities since the paper's founding in 1981. She served as the Chronicle's Film Reviews editor for 25 years. More by Marjorie Baumgarten
