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This experimental work is described as a time sculpture that uses “solid” light to create a three-dimensional image contained in the projector’s light beam.
This article appears in May 4 • 2001.
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Marjorie Baumgarten is a film critic and contributing writer at The Austin Chronicle, where she has worked in many capacities since the paper's founding in 1981. She served as the Chronicle's Film Reviews editor for 25 years. More by Marjorie Baumgarten
